The Void Trilogy ends with The Evolutionary Void in a typical Hamiltonian way: completely off the scale science and fights, actions with galactic and universal implications and the bunch of special heroic people that lead the entire story to a climactic finish.

I couldn't wait for the last book of the trilogy to get out and I finally got hold of it, but more than a year had passed since reading the first two. Most of the characters I had to remember while reading the book, something that degraded a bit the reading experience. Take it as a hint: before starting a Peter F. Hamilton series of books, make sure they are all available before you start, as you can't let them out of your hands until you get to the end and the feeling of loss is horrible.

Now, about the book itself. The middle of the galaxy hosts an all devouring and unstoppable Void, inside which thought is the main law of physics and which feeds on the mass of the worlds outside in order to sustain itself. Basically, the heroes in the book are battling galactic cancer. The style of the narrative mixes incredibly advanced technology with an archetypal feudal heroic fantasy, bringing them flawlessly together at the end. Not everything makes sense, but then again, not everything could. Simple solutions to problems were available, but never explored, and some characters were popping in and out of the book stream like so many quantum fluctuations. But on the whole, it was a great reading, keeping me connected for the entire length and, unexpectedly judging by the Hamilton books I have read, with a good, satisfying ending.

Now, I plan on reading some non fiction books, then I will probably return to the Prince of Nothing universe. After that, who knows?

I almost expected the guy to be Canadian. :) This series of fantasy books is a masterpiece of writing. Not only it is complex of plot and emotion, but the characters are many, diverse and (most of all) different.

So far, the A Song of Ice and Fire saga, written by American author George R. R. Martin, consists of four books, the first published in 1996 and the last in 2005. At least three other books are planned in this series. The plot is a historical fantasy, but one unlike the books I've read recently. The aspects of magic and otherworldiness are rare, the bulk of the writing being about the feudal world, with kings, knights, low borns, maidens and whores, thieves, rapists and murderers, plotters and honorable men. No wonder that, lacking a lot of special effects, the story has been selected as the basis for a TV series.

But what is more important than anything is that the writing is really good. The characters are all human, with needs, desires, qualities and faults. You can't help but empathise with them, only to suffer at the cruel fate the writer bestows upon them. Not one escapes unscathed from the malice and pettiness of other people or from shere bad luck. You get to like the characters, then Martin fucks them up. I really wanted to use a more elevated language here, but it's the truth: the world he depicts seems horribly real, not a fairy tale of valiant white knights and pure maidens, but of ridiculous people grabbing lustfully whatever life offers them as it is unlikely their fortune is going to last long.

For the bad part, though, I think the author went too deep, got himself responsible for a lot of characters that he must now move forward, in gruesome detail. The fourth book became so large that he had to split it. He did so by character and geography, rather than by time, so a lot of the characters were missing from the fourth book, A Feast for Crows, and left for the fifth, but acting in the same timeline. At the end of A Feast for Crows the author explains his decision to not just split the book in the middle with a "To Be Continued" ending, and hopes for a publication of the second half in a year. That was in 2005. Ahem.

A lot of people are a bit confused by the long wait for the fifth book. Martin keeps making promises that he doesn't keep and, in July this year, he announced that A Dance with Dragons is already 1400 pages long and 5 chapters close to completion. I hope he does finish it quickly enough, although that would only prolong my suffering anyway. I am sure the fifth book will be as brilliant as the others, but then I will have to wait another 5 years for the sixth. I know TV series usually have no plot, but at least they come weekly ;)

Bottom line: The books are great, I recommend them to any lover of fantasy or even historical novels. I can hardly wait for the TV series, A Game of Thrones, as well.

While waiting for the tenth book in the Malazan Book of the Fallen saga, I went and read Prince of Nothing, by another Canadian author, R. Scott Bakker. This is a three book story, first published in 2004, about what I can only describe as a psychopath, member of a rationalizing sect, going out into the world to protect the secret of said sect.

The book is well written, although not nearly as brilliant as the Malazan series. However the subject of it is very interesting, at least from my standpoint. It concerns a human that is trained in the ways of mental manipulation, rationale and causality, something akin to the Vulcans from StarTrek, but with a very human side to it, the one that pushes one to amass power and use their knowledge to manipulate.

No wonder that the "prince of nothing" is the central character in the books, but not the main character, the role being left to a sorcerer, a man that is at the same time keeper of arcane knowledge and the scorn of ordinary humans. I can't help but empathize with the guy: basically a geek in love with a whore, while a psychopath destroys his world with insidious manipulation. ;)

There is another central character to the story, an insane barbarian, like a tortured Conan, who is both terrifyingly strong and ridiculously fragile, both a mindless warrior and a brilliant strategist. He is also, like Achamian the sorcerer, an exponent of humanity.

Prince of Nothing is a very smart book, one that can only get better as the writing skills of Scott Bakker improve. Its assets are both a scientific approach to the human psyche and a veritable intrigue of arcane powers in conflict with each other on the background of huge masses of clueless people. The plot itself is similar to the story in the Berserk manga, at least its start, where the strong warrior chooses to follow the charismatic and ambitious leader only to his doom. The moral, as I saw it, is that while we choose to live our lives with eyes closed, we cannot in good conscience pretend to deserve control over what happens to us.

I hope the series, known as "The Second Apocalypse", continues, since Prince of Nothing raised more questions than gave answers and the plot really caught my attention. A nice book that I warmly recommend.

I was posting a while ago about the first album from Hole's bassist, Melissa Auf Der Maur. I found that the music had a haunting femaleness in it and sounded pretty cool. She has recently released her second album Out of Our Minds and my opinion is... that they were! The songs are lame, like a really wattered out version of the first. Lady, if you don't feel like it, wait until the muse graces you with her presence, don't just write crap because you have a deadline. (Let me do that, ahem...)

Moving on to Linkin Park. A refreshing mixture of hip hop and rock, their first albums (Hybrid Theory and Meteora) made them famous. If you don't count the collection of remixes of their previous songs, their third album, Minutes to Midnight, was released after some time had passed (period during which Mike Shinoda was writing hip hop like crazy and the other guy... well, nobody knows what he did), had some environmental messages, some slow music, maybe some Michael Jacksony save the world songs... It pretty much sucked, but it was also ok. I mean, if you want to mellow down a little, just to try it on, why not? So now I got reminded of them when I accidentally saw Transformers and the theme of the film was sang by Linkin Park and called New Divide. It sounded kind of cool, something that resembled their first albums, so I got their latest album, A Thousand Suns, and tried it on. Long story short: it sucked. There were some cool songs, like Wretches and Kings, or Blackout, but overall, it was a whiny piece of crap. Dude! It's called ROCK, you're letting a Japanese hip hopper make you look like an emo kid trying to sing for the highschool prom.

Ok, now for some of the better songs on these albums:

Melissa auf der Maur - Out of Our Minds



Linkin Park - Wretches and Kings

I quite liked this anime series, one which combined with success the typical demon slaying organisation with a background of describing the culture and history of Japan. In that regard it is quite similar to Ruruoni Kenshin, but without the romantic side and a bit more supernatural.

The plot is set somewhere in the middle of the 19th century, when a government official decided to create an organization to defeat Youi, or demons. These people are called the Ayashi. The main character is a guy that has the power to extract weapons and other useful tools from the names of things. It is a beautiful concept, since in Japanese the characters are very complex, have a lot of meanings and have a habit of evolving through history. Usually a demon can be defeated with a weapon made from it's name, which usually holds extra significance as to what the demon's reason to be is.

The series also describes a very feudal and disgusting Japan, where people are constrained to ridiculous levels by etiquette, social ladder, politics or gender. Many a time, to ensure the survival of their little group, their leader resorts to despicable acts which the team performs with disgust, but a complete lack of choice. Women are treated as commodities, low rank people as livestock, while the rich and powerful engage in complex political struggles to ensure their survival. Scholars are being imprisoned for studying Western concepts, foreigners are considered a bane that people should not come across, while people without a family name and land are tatooed as "floaters" and arrested if caught inside cities.

A lot of the details of the show are about Japanese customs, history and view of the world, so I naturally enjoy this as a background for a fun fighting story. Other people obviously did not think the same way, so it only has 25 episodes, even if originally 52 episodes were planned.

I haven't finished the series yet, I still have the last five episodes to see, but so far I have enjoyed it. There is a manga for it, too, but I didn't find it free online.

Stellvia is an anime with teenage kids saving the world. It starts like a kind of Harry Potter, only the main character is a girl, the academy is in space and there are no Voldermort or Slitherins in sight. All in all it was a fun series to watch, but so easy going and adolescent oriented that I am sure it will not remain in my memory for long.

The plot is simple enough: Earth was devastated by a supernova blast wave, it recovered, then it set out on a mission to defend the Solar System from the second wave, slower but deadlier. Their solution was to create a bunch of stellar academies, fill them with children trained by dedicated teachers, while the whole world stands united against this coming disaster. One can see from this plot alone that the focus is not on realism nor human nature. However, since it does touch all the Japanese topics of choice like pursuit of perfection, positive competition, love between school children and loyalty and "gabatte"-ness, it was nice to watch and I have easily enjoyed it.

Composed of 26 episodes, the series does leave room for more, like humanity exploring the stars. The aliens were never explained and the last episode does show a rebuilt Stellvia star academy with the trainees that saved the world as full students welcoming a new batch of recruits. However, it seems like a second season of Stellvia will never happen, due to creative differences.

I am not much of an art guy, but this thing just blew me away. Not so much the animation itself (it is very original, but... not an art guy) as the volume of effort and work this had to require. Just watch it, it is worth it.

BIG BANG BIG BOOM - the new wall-painted animation by BLU from blu on Vimeo.

Forced to wait for the tenth and final novel of the Malazan Book of the Fallen series, due to be published this year, I've started to read the books placed in the same universe written by Steven Erikson's friend, Ian Cameron Esslemont. The first of these books is Night of Knives, which is rather short compared with Erikson's novels or, indeed, with the second Esslemont book, Return of the Crimson Guard, which I am reading now.

The book is alert, as it spans a single night on the island of Malaz, during a rare event which weakens the borders between realms. Anything can happen during this night and, indeed, does happen. The island is assaulted by alien ice magic water dwellers, the dead house is under siege and Kellanved and Dancer are making their move towards the throne of Shadow realm. Meanwhile Surly is Clawing her way into the throne, a natural talented girl with too much attitude is trying to get a job and start an adventure and an old retired soldier gives his all once again.

All and all, it was a nice book. The writing style is clearly different from Erikson's, with less descriptive passages, a little more action and a more positive bias, tending to lend people more good qualities and having them end a little better. However, it only takes a few pages to get into the Malazan feel of things and enjoy the book.

The word that I think best describes the book is "naive". That's not necessarily a bad thing; people have been hooked by naive stories since forever. Isaac Asimov had some very simplistic plots where everything was going well for the main character. The Harry Potter series was also what I could call naive; didn't hurt it much. From the same perspective I can say that The Vorkosigan Saga, which now spans about twenty novels and short stories, had its share of success (and three Hugo awards) no matter what the writing style. That writing style should have evolved anyhow as each book was written.

Back to The Warrior's Apprentice, though. It's about a kid, son of royalty on his home backward planet, who singlehandedly buys a spaceship, runs a blockade, creates a mercenary force, fools everybody that he is older, is smarter than anyone and also foils a ploy to destroy his father. And the drama is, as teenagers go, that he doesn't get the girl. Now see why I call it naive?

However, I am sure I would have gobbled the whole series up when I was fifteen, so, even if I have decided to not read the other books in the series, it depends on what your tastes are. The Warrior's Apprentice is an easy to read, easy to follow, shortish book. As a travel book I guess it would be decent.

I've finally finished the book WPF in Action with Visual Studio 2008 by Arlen Feldman and Maxx Daymon. Simply put, it was a great book. Most of the programming books focus too much on structure, resulting in very comprehensive information, but giving one little in the way of actual work. WPF in Action is describing features while using them in a few applications that are built almost entirely out of code printed in the book. I think this is the second book any beginner in WPF should read, the first being one of those boring comprehensive ones :)

The book goes from a brief history of Windows Forms and WPF to Hello World in part one, then to describing layouts, styles, triggers, events and animations in the second part. The third goes to create a wiki application using commands and binding, datatemplates, converters, triggers, validation, then custom controls and drawing (including 3D!). I am a big fan of the MVVM pattern, but I liked that in this book, while it got described, it didn't suffocate the other topics, getting only a small subchapter in the binding section. The fourth part explains navigation, XBAP, goes briefly through ClickOnce and Silverlight, then has a large chapter about printing (too large, I believe). The book finishes with transition effects, interoperability with Windows Forms and threading.

All in all I think it was a very nice read. The authors clearly have a lot of experience and are quite qualified to talk not only about the features in WPF, but also the gotchas and some of the problematic implementations or even bugs. The fourth part of the book was a bit of a bore, though. After a pretty heavy 3D drawing ending of part three, I get to read a whole lot about really boring stuff like printing. I am sure that when need arises, though, this is the first book I will open to see what they did.

Bottom line: First three chapters are a must read. Maybe skip the 3D drawing part the the end of part three. The fourth is optional. The authors themselves said that they intended to write something that could be used as a reference, and I think they succeeded. So read the table of contents and see which parts of WPF you are really interested in in those optional parts.

The WPF in Action with Visual Studio 2008 link goes to the publishers site, where you can download the source code and even read some sample chapters.

The final chapter of the Fullmetal Alchemist story has been released today. Have the Elric brothers regained their bodies? Have they sacrificed everything in that Japanese way we so love? Did they get to yet another place filled with Nazis, turned vampire and got to be characters in an Uwe Boll movie? You will have to read the manga to find out! :) The good news it that following the link above you can do just that!

As you may know, the anime finished abruptly a while ago with the two brothers teleporting to our world in the middle of World War 2 and ended up in a ridiculous story. Luckily enough, the manga had none of that bullshit and continued on its merry way. Picking on that, another anime was started, Fullmetal Alchemist Brotherhood, which was supposed to delete from our memory the shame of the ending of the first anime. It is now pretty close to ending itself.

My opinion about the whole story is that it was a pretty imaginative concept, a kind of alchemic steampunk universe, filled with wonder, horror and fun stories. I hope you Read/watch it with just as much fun as I have.

Update 4th of July: The anime (Fullmetal Alchemist: Brotherhood) has also ended. It covered the exact same things as the manga this time.

I also forgot to mention that the story ends with a few loose ends: Al goes to explore the East and learn Alkahestry, accompanied by the two chimera men that want their original bodies back as well; Ed is going West, trying to learn as much as possible so that he can return and complete his brother's research and then help people together; Mrs Bradley is raising the last homunculus, Selim, as her son, trying to infuse him with love and make him a good person. These three threads can lead to a possible continuation of the Alchemist story. At least, I hope they do.

The concert was supposed to start at 21:00 and end at 23:00, so at about 20:57 my friends started saying that the show will probably start at 22:00, because "all the bands" do this. Three minutes later, AC/DC started singing. I could have synchronised my watch by them. Also, at 23:00 they left the stage. The entire show was professional to the second, things worked almost perfectly, the coreography of their stage actions being totally in sync with the cameras, lights and other props.

I am not a great fan of the Aussie band, I like their music, but I only used to listen to their music when I was a child and I was falling asleep on Highway to Hell. Maybe that's why I thought that song and For Those About to Rock were the best of the songs and the rest weren't even close. But they were good enough.

I thought the vocal didn't quite have it in him, since after about an hour, the guitarist started a solo that lasted for 15 or 20 minutes. The energy in that man (Angus) puts me to shame and would have put me to shame even when I was a teen! While the audience was stuglling with the uncharacteristic cold weather and freezing wind, Angus Young was running around in his underwear, playing the guitar as he did so.

Here is a video from the event. Hav fun!

[youtube:ruBvN3QhRxM]

I don't know what to say about Dust of Dreams. It is the first book in the Malazan Book of the Fallen series that is only partially finished, only the first part of a larger story, spread over the ninth and tenth books of the saga. Since the last book from the series, The Crippled God, is not yet released, I have to wait for a year until I get to know what happened.

This being said, I don't really know what happened in this book, either! The Adjunct moves all her forces towards Kolanse, the last of the K'Chain Che'Malle are rising up, there is a group of undead Jaghut that work together, two pairs of Eleint blooded ascendants that have yet to betray each other, a bunch of semi-undead (they have their memories) T'Lan Imass, three pesky gods, a schizophrenic Icarium... the list goes on and on... One thing is for certain: I doubt the tenth book will be able to satisfyingly end the story. The huge number of storylines pretty much guarantees it.

So, I liked the book, but I feel I need to reread it to understand it, maybe just before the tenth one is released. Meanwhile, I am oscillating between the Vorkosigan Saga and the Discworld Saga... Whatever should I start reading? Considering they both have about 20 books each...

Update: It seems the release of The Crippled God has been delayed until 2011, even if there were hopes it would appear in libraries this autumn. Damn!

I am a great TED Talks fan, where most of the talks are impressively smart and useful and well presented, but this one I just had to embed. The title is a little misleading, if you ask me: The hidden influence of social networks. It is more about how statistical analysis on social connections yields all sort of interesting information about the human condition. Enough of this, watch the talk:

The eighth book in the Malazan Book of the Fallen series, Toll the Hounds was the worst, I think. First, Steven Erikson experimented with a narrator of sorts, all philosophical and moving the "frame" of the story with wise sounding words that actually sounded fake and convoluted like Kruppe's. Second of all, most of the characters started thinking deeply about all kinds of things that had no real relation to the story, all metaphorical and stuff. Third, the stories themselves were vague, disconnected or filled with "his words brought tears into his eyes" scenes. I swear, even Kallor sheds tears at one moment. The ending was a disappointment too, where the convergence of forces that we got used to in the series seems random and pointless. To top it all off, Fisher Kel Tath made his appearance, thus filling the book with bard poems.

As for the story itself... if you wanted closure on something previous, tough luck. Some new characters, some old ones die (including Hood, how cool is that?) most of the action happens in Darujhistan, while the rest is in Black Coral. No Crippled God at all! Also you may find Wiskeyjack fighting in Hood's army. Didn't they ascend? What is he doing there? Pointless battles abound (and I mean pointless, they are not even strategic, just an enumeration of people starting the fight and then, later on, finishing it. Most of the time the result is pretty much known beforehand, but the battle is honorable or something like that.

Mixed news about the ninth and tenth books in the series. First of all, the series ends! Yes, a huge book, with so many open ends and a great mythos, just ends, because the contract was for ten books. That is both brave and insane in the same time, although I suspect that future books will be scoped in the same universe, just not as part of the Malazan Book of the Fallen series. The books nine and ten will actually be a single two part story, with the ninth ending in a cliffhanger. Erikson apologized for this:

While I am, of course, not known for writing door-stopper tomes, the conclusion of The Malazan Book of the Fallen was, to my mind, always going to demand something more than modern bookbinding technology could accommodate. To date, I have avoided writing cliff-hangers, principally because as a reader I always hated having to wait to find out what happens. Alas, Dust of Dreams is the first half of a two-volume novel, to be concluded with The Crippled God. Accordingly, if you’re looking for resolutions to various story-threads, you won’t find them. Also, do note that there is no epilogue and, structurally, Dust of Dreams does not follow the traditional arc for a novel. To this, all I can ask of you is, please be patient. I know you can do it: after all, you have waited this long, haven't you?

The ninth book, Dust of Dreams, started cool, though, in a KChain Che'Malle city with a Matron giving a Destriant the task of finding a Mortal Sword and a Shield Anvil. The Destriant is human and the Matron is insane. Promising, huh? I was considering waiting for a year and reading both ending books, but how can I now?