Sorry for being away and not thinking of writing a small explanative post. I went to Greece for my holidays, to visit my wife's brother and sister who moved there some years ago. This is going to be a long post, so grab your popcorn.

Bulgaria (1)

When you have never been to Bulgaria on your own and you plan to go there with your personal car or at least transit the country, you hear the following things:

• it is an ugly country
• it is overrun by car thieves, corrupt cops and enterprising murderers
• it has no, little or bad roads
• it is poor like a third world country

. Well, I can tell you it is all pretty much bullshit.

I only transited the country, so I can't tell you I did a lot of sight seeing, and all I knew about Bulgaria is from a few years ago when I went to Balchik and I found it charming and full of lovely people. This time we went with our own car (Maria driving, as I am not really into cars) and I found it a beautiful country at least from the road towards Greece. People always helped me out (to an extent that I would have never expected, but that is for later to discuss) and a lot of them knew English to a reasonable degree (which put me to shame, since I all but forgotten the perfect Bulgarian I spoke when at 8 years of age). The roads are better than those in Romania by a long shot, almost highway material, only not with so many lanes.



My only problem lies with the way towards Greece, where the road was peppered with 40 km/h and 60 km/h speed signs accompanied by hidden police cars waiting for you to snap and go over the legal limit. Unfortunately the Bulgarian cops are crooked and even if I find placing a 5 euro banknote in the passport when they stop me - making both the bill and the speed violation disappear as by magic - a lot easier than all that dancing one normally has to do in Romania ("please officer, my grandmother is dying and I have to get to her before my granddad finishes strangling her"), I still found it annoying, especially since almost all local vehicles were passing by us like we were standing still.

Well, only one encounter like this actually took place, the cops pulled us over and then we did the 5 euro magic trick and, as we were preparing to leave, a moron with his trailer door unlocked passes by us and cracks the left rear-view mirror with the aforementioned door. I am grateful that the mirror did not break, that the metal door only hit the mirror and not the car door or (I might add) a child's head or something like that.

Anyway, we traveled all day through Bulgaria in order not to stop (we still gave credit to the third world country hypothesis above) and I took some pictures of what I think was beautiful: green forests on small mountains, long tunnels and bridges, nice straight perfectly asphalted roads (with 40 km/h speed limits on them!). I am not the world's greatest photographer and I have to sift through all the stupid pictures, but I promise I will update this post with media in a few days.




The other incident on our way to Greece was in Sofia. Apparently the ring road around the city was under (re)construction and we had to take a detour. The detour was not clearly marked in any way and the only thing the Bulgarian cop that directed the traffic had to say was "follow that car", showing towards one that was just leaving and which had a more enlightened driver in the way of the Bulgarian language. It all went nicely until the said driver decided to pull over for some reason. We followed the small serpentine road, took some guesses on which direction to take later on and quickly got lost. The GPS we had with us had only the most basic maps loaded so when we left the road it knew, we were pretty much in the Wild West.

At this time my wife decided to go through a PM moment and started shouting at me, at the GPS and blame everything on me. In this kind of emotional state trying to use logical reasoning only works to enforce the idea that I am not empathetic to her feelings and only opaque to the obvious truth that everything that ever went wrong is my fault. The GPS was of no use, the map showed very clearly that we were dangling on the vertical line of the letter F in Sofia and we were going nowhere. Since getting angry would not help, making her more angry would make her more expressive by use of car throttle and breaks and since I didn't want to die I agreed that it was all my fault, lack of preparedness, a lot of laziness and that I was very sorry for it. Then I tried directing the conversation towards a solution.

I mean, how bad could it be? We were next to the darn capital of the country, where could we get lost? At a moment where the panic was going bubbly bubbly on the seat next to me, I got to read a sign that pretty much placed us on the map of Bulgaria we brought with us and this time not on any of the capital letters on it (capital letters, get it?). So we went on a small road that was parallel to the one we should have been on and (at least in my opinion) were fortunate enough to see raw country, beautiful scenery and not to many cars. Of course, the panic ended only 50-60 km or so after, when we were back on the GPS tracked course, but that was still to come.

The next big hop was when trying to decide what road markers to follow. I looked at the map, noticed that the biggest city after Sofia that we were going towards was Blagoevgrad and decided to look for that name. My wife was nagging me constantly that her sister told her we should always go towards Kulata. I could not find any major city called Kulata on the map, so I was skeptical of the information. But we did find Kulata road signs and we followed them until there were none. Did we pass Kulata? Where the hell was Kulata?? Where the fuck was Blagoevgrad?!?

At one time we noticed a big Sofia sign. My wife said we should take it. I didn't understand, we just came from Sofia, what would be the point? She finally (after some shouting from both our parts) articulated that the road going towards Sofia probably comes from somewhere, and we should go that way, once we reach the road. It made sense, but then why would the road sign say only Sofia? What happened to the damn Blagoevgrad? Or Kulata for that matter.

Turns out she was right. People just didn't put all the markers. Why would they? In Romania that would probably happen very rarely, at least our road markers are top of the line (and I was pretty happy with my country at the time). One marker finally told me Kulata was 82 km on the road, so I looked it on the map approximately 82 km from our location. I found it, written with letters about five times smaller than the letters used to spell Blagoevgrad. It was the border town towards Greece. I found it odd; it was like trying to go to Sibiu but finding only Nadlac signs. (they are Romanian cities, mind you).

Well, we did manage to get out of Bulgaria, pretty much upset by the GPS maps, my own performance, Maria's sensitive nerves and the Bulgarian road markers.


Greece (2)

If Bulgaria started up pretty much like Romania in terms of soil and plants, when getting closer the Greece everything got more and more yellow. The soil turned red or disappeared completely, replaced by sun whited rock or yellow-red sediment compression rock. The plants got more and more Mediterranean until only olive trees remained. Imagine a humid air hot, dry soiled, olive tree infested land and you get Greece. They don't have much in terms of railways, so they have a lot of roads. Good roads, only very sinuous, since they have to go up and down a whole range of mountains.



If Bulgarians forgot some cities on their road markings, the Greeks forget the markings completely. You enter small villages or towns and you have no idea where you are. If you are lucky, you find out when you exit. The curves are rarely secured with metal sheeting and sometimes not marked at all. A person could drive into any number of precipices just by missing a turn. Both me and Maria felt that they used "dangerous curve ahead" markings on easy curves, while on the really dangerous ones they used nothing. And to top it all, their writing is both complex, uselessly complicated and there are hardly any markers written in Roman characters. If there are Roman characters markings, they are 10 meters after the Greek ones. My brother in law explained it by a joke: the Greeks are hard headed and need more fore warning. Anyway, it's not that all Greek roads are this badly directed, it's just that some of them really are. And it is shocking to come from a normal, protected, with proper signs and directions on it, road and getting on portions where the signs are missing or wrong and a problem with the steering would probably send you in a beautiful, albeit short, flight.

I knew a little Greek lettering and tried to understand where we were and where we were heading. The GPS was of real help. But it was not without gain. Just by reading the Greek for Exit (Exodos) ,for example, made me realize that both Exit and Exodus are based on the same word.

Our plan was to get to Thessaloniki, visit the city, sleep somewhere, then continue on our way. We got to the city, left the car on a street, asked the people there for the name of the street and how to get to the "White Tower", a construction Maria had heard about that was worth visiting, we were directed there, and started visiting Tessaloniki. Alas, the directions were idiotic, we turned out walking aimlessly through the city, tired, nervous and hot (there were about 35C in the shade at that time).

The city itself was really beautiful. And when I say beautiful, I don't say it lightly. I usually hate sight seeing, I care nothing for buildings and I am interested in the local cuisine more than the local ancient art. But this one was a very balanced mélange of beautiful things. It boasted a great deal of hotels and nice houses and shops, mingled with ruins from the old citadel (which almost no one bothered to mark in any way) having mountains on one side and the sea on the other. Other people that visited Thessaloniki told me they found it crowded with people and didn't enjoy it so much. Maybe it was a good time of the year, but when we visited it, the only people we saw were sitting in outdoor cafés.

A great deal of photos came out of it, but after a while we realized we did not know how to get to the car. I knew where the car was, obviously, and so did Maria. The problem was that our views differed substantially. Tired and in the beginnings of another PM moment, we decided to ask a cabbie where the street where we left the car was. "Do you know English?", the typical Greek answer was "No". On a hunch I asked him if he knew Romanian and turns out he knew more of it than English, since he was married with a Moldavian girl. If you are Romanian, you probably would get a few kicks from seeing a Greek mispronounce Romanian words that he learned with a heavy Moldavian accent anyway. But we got to the car.






The next step was to find somewhere to sleep. We asked in a hotel nearby; they charged 60 euros per night without breakfast. We thought the price might be lower in a motel on the highway. You see, Romania is in the middle of an economic boom. People have and find new business opportunities every day. On the Romanian highways you find a lot of motels, hotels, places to rest, drink or sleep. No, the Greeks had some places to eat and some highway parking places where you could stop the car and fall asleep in it, nothing else. We searched for somewhere to sleep for so long that we got to the point where I was wondering if Maria would fall asleep on the wheel or not.

At one particular bad moment we reached the conclusion to leave the highway and (instead of driving another 40km to Lamia) stop in a place called Sourpi. We immediately found the Greeks gathered around three or more taverns, enjoying their social lives in the relative cool of the night. And just as fast we learned that they have no place for someone to sleep in the whole town! Again, coming with a Romanian mindset I expected some of the Greek people there to offer a place to sleep in exchange for a nominal fee. I was surprised to see that the thought didn’t even cross their tanned little heads. They directed us, though, to a town nearby where they should have had hotels or something like that. The directions sounded like follows: “go 4 km and you will find a biiiig blue sign that says the name of the town (which I immediately forgot, of course)”. After 20 km of pitch black country roads we haven’t found any blue sign. We managed to find a gas station and ask where we could find a place to sleep. They directed us to another town, which boasted two hotels. Enough said, when we found one of the hotels, no one answered the door!

Maria got angry immediately and we went back to Sourpi (in the process finding the biiig blue sign as a little blue tree branch covered tin foil), back to the highway, stopped in a parking and slept there for a few minutes, until we realized that sleeping with the windows closed doesn’t work and keeping the engine running just to have air conditioning wasn’t really cool and also that we care not for mosquitoes. Maria fearlessly drove on. Fortunately her metabolism allows for great surges of energy from just minutes of sleep.

So this is how we got from Bucharest to Sparti in southern Greece in 27 hours, with some visiting, lost and found ways, and some awkward sleeping. (we got some real sleep just before Sparti, fortunately).

See you in the next part, where I explain the horror of driving in small mountain Greek towns, the way they like stony beaches instead of sandy ones and how they live out of tourism, but do nothing to help it out. Also, about the incredible Greek learning system, which pretty much sucks.

Oh, I know you probably have heard of Augmented Reality, but you have never experienced it in a way that is trully easy to use and that really feels... real. Here is a small demo from Total Immersion, a company that uses image recognition software to add computer generated interactive objects to real time videos.

As far as I understand it, they plot some points on the image, they store its contents and the software can recognize it even skewed or warped or even partially visible. In the video you will see how this applies to a classic green-screen-like board that the demonstrator can actually move around, then how it applies to an image on a t-shirt and then, finally, an interaction between computer generated and real objects.

I started reading Neal Stephenson at a friend's recommendation. That reminded me of the cyberpunk novels that I used to read in my teenage years and enjoy so much. However, I remember them slightly more fun :) That's why I would call Snow Crash more of a Cy-Fi novel, a piece of cyberpunk with a slightly overexagerated plot. Even Wikipedia calls it a post-cyberpunk novel. You see, when Gibson wrote about hackers and the artificial intelligences and the future, he was actually trying to convey a believable, predictable future. I believe Neal Stephenson actually crossed the line and pushed the vision a little in order to put some ideas on the table.

However, it was still a good novel, with interesting characters, fantastic vision of the future and quite a bit of research, which he modestly attributed to a lot of his friends.

The story revolves around Hiro Protagonist, a sword wielding computer hacker, and Y.T. (Yours Truly - a 15 years old skateboard courier), both caught in a complex plot that I cannot reveal without spoiling the read. It has some of the standard cyberpunk motiffs like the collapse of governments and law, the world being ruled by corporations like the Mafia, the church and Mr. Lee's greater Hong Kong (to name a few) and a focus on the services individual people can provide rather than the material benefits of technological items.

I recommend reading it, although some parts of the "future" are already old and silly by now. I've also read some short novels like The Great Simoleon Caper and Spew, that were both good reads, especially the latter. I am moving on to Diamond Age now.

I know, you're thinking "Who made the great effort of coming up with this incredible gay name?", but keep reading a little more, because this anime series is rather interesting. I am refraining from calling it cool, since the name and because it is not over yet and because it is partially mecha. Also, because I think the direction it is going is a bit off course. Now that the bad things are out of the way, let me tell you about the good ones.

Anyway, the whole thing revolves around Lelouch, the third prince in line for the throne of the Holy Empire of Britannia. It is set in an alternate universe where battles are fought with humanoid robots called Knightmares, and the above mentioned empire considers the Britannians first class citizens while any other enslaved nation gets a number that designates its teritory and its people. The Japanese are called Elevens after the occupation of Japan, and Japan itself is renamed to Area 11.

I will let you read the plot in the Wikipedia page, and focus on the good bits: Lelouch is a very smart guy, he plays chess and defeats just about everybody. He uses his strategic skills to fight against the empire of Britannia as the faceless terorist Zero - for reasons too complicated to explain here. He is still in highschool (why must every Japanese story happen in high schools?!) and he has one more advantage: a geass. This is a magical ability that allows him to command any person he has eye contact with.

The first season had 25 episodes and was pretty cool. It involved strategy, drama, action, sci-fi and a tight script. The second season (R2) is more complex, but my opinion is that it lost much of the power of the first season and has reached episode 14 (released with English subs today). It is worth mentioning that the team that made Code Geass also worked on Planetes, a sci-fi anime based on Arthur C. Clarke's ideas, which I also liked a lot.

Some links:
Code Geass Wikipedia page

Oh, no! After such a glorious second volume, Baxter regressed for the third volume of the Destiny's Children series, Transcendent. What you get is basically a continuation of the first volume, but without the emotional content or the cool ideas of Coalescent. Same awkward family relationships that no one really cares about, same main character who is actually driven by the actions and thoughts of people around him, rather than his own, same single final moment that shapes the world without actually making the reader feel anything, same lengthy dialogue that brings important issues into discussion, but without drawing the reader in.

As Stalin said, one death is a tragedy, one million is a statistic. Same thing applies to humans 500.000 years into the future, going back into the past to redeem the sins of humanity. No one cares! The Earth is pushed to the edge by global warming and the lead character is championing a great hydrate stabilisation engineering project. Who cares?!

Bottom line: the book was well written, but badly designed. It's like an engineer doing a great job building something that is fundamentally flawed. I struggled to finish the book just as I've struggled to finish Coalescent, which was far more interesting to begin with. The reason is simple: the reader cannot really empathise with any of the characters, except in disparate fragments of the storyline.

I was looking for new manga to read on the OneManga site and I found Gantz. It has senseless violence, gratuituos sex scenes and great looking chicks in erotic positions. The concept is that a weird black ball is taking people right from before they die and brings them to a room from which they are sent to battle aliens in the streets of Tokyo. Normal people can't see them or the monsters, but they can be killed by them. And they often are.

[youtube:SJ5ICtGn6u8]

This is something only a Japanese could have thought of. People are dying, most people around don't care and they are all trying to show how superior they are compared to others. And then they find something to PROTECT and they cry all the time.

Bottom line: Monsters, Aliens, Vampires, Hot chicks, Sword fighting, Gore, Sex, Rape, Emotional torture... they are all in there. The script doesn't make much sense, though, and I think all characters are emotionally stumped to the level of three year olds. That's how Naruto and InuYasha won so many fans, through carefully crafted emotional landscapes, something Gantz lacks almost completely.

Read Gantz at OneManga.
imDb link for the anime

A while ago I was recommending the anime called Inuyasha and then reading on the manga. Well, after 558 episodes - each having around 19 manga (comics) slides - Inuyasha has reached the end. A bit anticlimactic, considering the things that attracted me to the story in the first place, but an end nevertheless.

You can read the entire story here at MangaStream

Exultant, the second book in the Destiny's Children series felt a lot better than Coalescent. Not without its own flaws, it made the entire experience better, but maybe that's just me.

The book describes a universe twenty thousand years into the future, when human kind has infested the galaxy, destroying all sentient races they encountered with their immense war machine. They are currently at war with a technologically superior enemy called the Xeelee, which are trapped at the core of the galaxy, pushed back by the sheer size of human forces. The war has waged for 3000 years and continues with no advancement of any kind, with the entire human philosophy focused on spewing more and more cannon fodder for a war that is neither to be won or lost, just endured.

A rather bleak vision of the future, but fear not, there comes hope! Somehow, an excentric aristocrat comes with all the ideas and resources to create the ultimate weapon that will destroy the Xeelee! And in the pages of the book it is described how they go at it. This is where the book actually fails, because at a such immense space and time scale, a solution of this simplicity is just not believable. You don't feel it in your GUT! But the book is well written, the style bringing memories of Asimov, and the ideas in it pretty interesting.

Stephen Baxter is again applying Universal Darwinism to his universe, bringing more and more species and types of lifeforms out of his magician hat. The ending of the book is terribly naive, but without a bit of naivite, you cannot finish great space sagas in a single book.

Bottom line: if you like space fights, military stratagems, character development, time travel, large scale galactic intrigues and a lot of techno babble (and I know I do! :) ) you will love this book. I do think that some of the great ideas in the book would have mixed nicely with late David Feintuch's writing. Anyway, on with the next book in the series: Transcendent

In 1973, Frank Herbert wrote a book called Hellstrom's Hive in which it described a sect of people that lived underground, in a system much alike insects, with individuals specialised for different tasks and all living for the big hive organism. The book did not explain how it all got there, it just quickly described the situation and then delved into the action.

Jump to Stephen Baxter's Coalescent, the first book of the Destiny's Children series, which pretty much details how a group of humans would reach a plausible hive like society. Unfortunately, the book is more descriptive than anything else, failing to deliver in the action part. A lot of characters are developed and a lot of history (both personal and general) is detailed, but in the end the characters vanish as if they never mattered. It is, after all, the whole point of the novel, that ignorant individuals following certain rules lead to the emergence of patterns, but it did not fit well within a book.

Not that the book itself is not fascinating and well written, because it is, but the pace is very slow at the beginning, accelerating to a snail pace in the end, while the different parts of the book seem fractured, too little related to one another. I intend to read the rest of the books in the series, but I might just give up, too.

Bottom line, I think it would be a nice read to start with Coalescent and then read Hellstrom's Hive, although I do think the second book to be much better.

I really like Korn, they are heavy, melodic and the lead singer is pretty unique. I haven't posted anything by them yet because I was a teenager when I was listening to them. I remembered loving the video for Falling Away from Me and wanted to share it with my bloggies :).

Update 24 Aug 2013: SyFy rejected the Blake's 7 idea. That may be a good thing, though, as it apparently was taken by Microsoft, to be made as an XBox series.

Update: The previous attempts to revive Blake's 7 have failed, but a new venture to do so was announced on July 23 2012: Martin Campbell And Georgeville TV Shop Reboot Of Cult U.K. Sci-Fi Series ‘Blake’s 7′. I just hope they don't screw it up.

When I was a very young boy, during the Romanian communist era, the only entertainment available was the Bulgarian television (also a communist country, but with a more relaxed regime) who's signal would reach Bucharest to the delight of many. I have always remembered vaguely a British series called Blake's 7, a sci-fi show that I've enjoyed tremendously at the time. Recently I was reminded of it and I was lucky enough to find the torrent for all four seasons. Having watched it now, I have mixed feelings and a new understanding of my child mind.


A short description of the show first. Imagine a team of space wanderers a little in the style of Farscape's crew (civilians, each one with their own ideas and motivations), stuck in a universe that resembles the Star Wars universe (an oppressive Federation ruling the galaxy with an iron fist) and has similar effects and inspiration as Star Trek TOS. All this with a budget that was probably several levels of magnitude smaller than that of ST TOS and also with effects and script a whole lot cheesier (and by that I mean that if I work out the percentages, more than half of the show was just cheese). The actors themselves were British and Welsh TV theater actors and they behaved as such the whole series. Not that it wasn't a refreshing perspective, even now. It was actually original enough and if it weren't for the production values, it might have been a world class classic.

Of course, I didn't watch it now because of the cinematographic value, but because it meant so much to me when I was a child. And I was stunned to see that the things that I remembered fascinated me were quite different in the show. Some weren't even there. For example I remembered that the show was called Blake's 7 but that one of them died in the second episode, which I attributed to British humour. But no, that happened at the beginning of season two. The introduction and music I remembered to be dark, impressive and scary. They were really funny now. There were scenes I remembered in a completely different way, with more emotion and action and the things that happened in the show had another sense altogether.

The structure of the series is funny to follow. The crew of seven was always only of six people. The computer counted as the 7th man. In the second season Gant dies so they are temporarily left with only 6. In the third season Blake leaves the show as well as others of the crew, only to be replaced by other actors and another computer. So they are 5 people and 2 computers and no Blake in Blake's 7. The only constant things are the ship, which is destroyed at the end of the third season, Avon and Vila. Oh, and sexy Servalan, the evil female villain. With a ship that can go anywhere in the galaxy, they always stumble in the same people! The ending was hilarious also, but you have to click here to see what I mean, I would hate to spoil it for you:

Click here for ending spoiler

In the last episode Blake is found, then is accidentally killed by Avon, then everyone is killed by the Federation troops. Servalan wasn't even there!

Here is a sample of the show:



And here is a video from an interview with the actors interpreting Blake and Servalan, old now and talking fondly of the series:



But there are also good news, Blake's 7 could be revived! I found an April 2008 link that says Sky One has commissioned two hour-long pilots for a new Blake's 7 series! Here is also a BBC News entry.

Update: Blake's 7 will be back! I doubt it will pack the same punch, unless done right. BBC should have remade it, but it seems that it will be a SyFy show, which may not be a good idea. The news confirming the comeback can be found here: Blake's 7: Classic BBC sci-fi to return on Syfy channel

There are a lot of movies about aliens, creatures from another world, coming here for whatever reason and trying to communicate. They usually are well versed in English, but sometimes they use some other language like the Klingons or they snarl and rip you to pieces or, sometimes, have to find a protocol of communication first, by using mathematics, gestures or music (like in Close Encounters of the Third Kind). Yet none of those creatures astound me more than some of the people on Earth doing things I could never ever imagine doing and using it to communicate.

One of these people is Michael Moschen, who uses juggling as language of sorts in order to comunicate his perception of time, space and movement. You can watch a small demo he gave at TED and have your own say:



You can see that he uses separate elements to create, to build, larger ansembles. He uses juggling moves like a language, with structure and building blocks and architecture. Now, what would we do if aliens would want to talk to us by moving objects around and making sounds with their limbs? Would be build a computer that can be programmed by juggling? Would we immediately fly in Michael Moschen as the Earth ambassador? Or is it too science fiction to imagine alien creatures communicating in the same way some people do?

Infected is a typical American sci-fi book, including small town mentality, a sports and US centric view, lots of government agencies, all working for the good of the citizens, keeping them all safe and ignorant and the warped morality that tells people they should destroy before they understand, just because they fear it.

That is something to be expected from an American author, though, and the book itself is not bad. It felt like it was inspired a lot by Stephen King's Dreamcatcher, which featured a similar personal dillema of alien infestation while the gov'ment was on the chase, but that one had more oompf. Of course, you can't compare aspiring Sigler to King, but then again, King's writing was never so great to me to begin with.

What I found really astounding is that a civilisation that uses biological machines to create a beach head on another planet would be so easily thwarted by a college athlete, a trigger happy black ops CIA agent and about a doctor and a half. Oh, and some Apache helicopters. What bothered me to no end is that I also felt this was a plausible scenario. I hope I am just stupidly influenced by similar literature, but would it really help to destroy the enemy before you get to at least understand it? What about the technology that was so easily recognisable as foreign and above Earth's current scientific level?

As a conclusion to both book and my own feelings: it was a nice read; not spectacular, but good enough to keep reading till the end. It is also available in podcast format and I myself have read it from a text file saved from a PDF that was gracefully provided free of charge by mr Sigler on the Escapepod podcast site.

Coma is one of my favourite bands if not THE favourite. They are Romanians, I know them, they're cool guys. Recently they organised an unpluggish concert called Coma Light. This is one of the songs there, although I do encourage you to look at them all (YouTube links gracefully provided by Imig/Smallex under the video). Great job, guys! Most of the songs you played deserve an album of their own. Here is the video for Culori, high quality from MetalHead TV. from YouTube.



Links to all the songs in the concert:
Stai
Mai presus de cuvinte
Bizz
Culori
In mine in soapta
Hectic
Un loc sa ajung
Daddy
Morphine
Coboara-ma-n rai
Cine iubeste si lasa
Canta-mi povestea

This is a little YouTube video that shows a photoshoot of Angelina Jolie's when she was a teen. As you will see, she is a lovely looking girl, but that is not the reason I am posting this in my blog. The reason is the feeling that I am having watching this: dread. Here is a 16 years old girl, faking all the emotions in all the pictures that are made of her, with an ice cool professionalism, chewing gum when the film is being changed in the camera. You can imagine what kind of pictures will result from this shoot, when all of this is probably filmed in a small humid room with people watching TV at its more stupidest. Can you imagine trying to concentrate with that noise around? If you ever thought Angelina got to where she is because of her looks only, think again. This little human robot has good programming.