Another fantasy audio book, The Black Company is the first of ten of the ongoing series with the same name. Glen Cook probably thought about it for a while before writing it, because you can see that the first three books in the saga were published mere months apart (*cough*R.R.Martin*cough*). I was attracted by the story, because it seemed similar to my favorite Malazan Book of the Fallen series: a mercenary company fighting under the flag of powerful god-like magical beings that want to conquer the world. And in part the plot and characters were satisfactory. Alas, the many details and focus on small things like what games they played to pass time or what each character was like or maybe the narration style... I don't know; it all made it hard to focus on the story. I felt like the book could (and should) have been half in size, and better for it.

The main character is the doctor and analyst of the company, Croaker. Before your filthy mind thinks of other things, analyst in this context means he is a keeper of records, a chronicler of the company's history and, occasionally, the person who draws parallels between past experiences and current events. Croaker is an inquisitive person, often risking his personal safety to unlock a riddle or reveal a secret. Unlike Malazan, he is the lead character, through and through, and the company itself with its many soldiers and camaraderie just the backdrop.

Plot follows the Black Company in employment of The Lady, a powerful magician who wants to conquer the world, fighting the Rebel, a group of lesser magicians who have gathered the people of the land in response. Croaker has romantic fantasies about her, but throughout the book he discovers that his affections are misdirected, even if a strange relationship develops between them. Most of the story is about various battles, painstakingly (and painfully) described, only to be followed by the occasional interesting bit of character and plot development. In fact, I was kind of annoyed when I read the book summary on Wikipedia and I couldn't think of much that was left out. I mean, it's a big book.

The bottom line is that I am unsure if I want to listen to the rest of the series. While I can't say it was a bad book, or that is had weak plot or characters, I am reluctant to go through all that again for nine times. Basically I feel that the characters were never made empathetic enough, at least for me, and in the end all I cared about was what was going to happen next and how it would all end. In that case I would be better off reading synopses rather than listening to the entire thing. The overall structure of the story, though, has a lot of potential and I don't know if the series would not become really cool afterwards. To make the final parallel with Malazan, the first book in that series was not really making people eager to read the next, but it turned out to be great overall. I guess time will tell.

The Gift of Fear has popped up repeatedly in my field of view, recommended by multiple sources. I started reading it and at the beginning I thought it had a nice concept: the systematic study of violence perpetrated by people, written for reasons of protecting ourselves. However, Gavin de Becker has a writing style that got to me really fast. He sounds like he is the lecturer in a police conference, and half of everything he says is just marketing for the bits that are going to come next. You know the type: "I will reveal to you the secrets of the universe, but before I do that in one of the next chapters, let me tell you a little story". I mean, what he is saying makes sense, but he oversells it so brutally that I could not continue reading past the half of the book. You know, he sounds a lot like Walter O'Brien, the guy who's life is supposedly the basis of the TV show Scorpion. He doesn't sound like the O'Brien on TV, but like the actual guy, always overselling and overstating everything he allegedly did. Also the little anecdotes are useful in the book, but his explanations are so over the top. Man!

Anyway, the things that I chose to take from the book is the JACA system for assessing threats and the fact that when your intuition is telling you something, it either means it has access to some data that you are not conscious of or that it malfunctions and in either case you need to pay attention. The JACA system is about someone being more of a credible threat if they pass four tests. J: they feel Justified to harm you. A: they feel that they have no Alternative to violence. C: they believe the Consequences of violent action will be manageable. A: they believe they are Able to do you harm. Of course, that immediately makes someone believe that the first step of counteracting such a person is to convince them they are not justified, which fails on so many levels, especially with an antagonist.

The book covers all kind of violence: rape, murder, stalking, assassination, road rage, office vengeance, domestic violence, even violent children (I haven't gotten to that part). I can imagine how this book would be very useful to young people, scared women, maybe even children, but with the language being so pretentious and the guy making it all sound like a marketing pitch, I doubt it would be accessible to any of them. Let me reiterate: I believe the subject of the book is a good one and it should be addressed. I also don't criticize the conclusions that Becker reaches or doubt his professional experience. What I am saying is that the way the book is written stylistically made it unreadable for me. So instead of reading a few pages every week, I've decided to stop reading it. Sorry, Gavin! I only wish someone would make a short summary of it, since a lot of the stuff there is at least interesting, if not downright useful.

The same people that did Star Trek: Hidden Frontier created the three season Star Trek: Odyssey. The first season was pretty good, beginning a story that was a combination of Voyager, Deep Space Nine and even Enterprise, the second season had fewer resources and the third season was decent, but the story was a complete mess that was very hard to grasp. Luckily enough, the superfluous homosexual stories in Hidden Frontier were almost not existent in Odyssey. Instead we were treated to intergalactic invasions, religious empires, slipstream drives, artificial wormholes, omega particles, anti-omega particles, Romulan first officer played by lovely Michelle Laurent and some decent (not good) screenplay. The technical effects, acting and directing varied from OK to really bad. They clearly learned a lot from Hidden Frontier, but the green screen continues to be their greatest enemy.

Even better, it is a crowdfunded show and you can watch it all online, for free, on YouTube. Here are the links for all three seasons:

Season 1
Season 2
Season 3

Enjoy!

I took the name of the anime from a YouTube video, recommending it as one with a great twist in it. I watched for two episodes as the main protagonist, an ordinary guy in a Japanese highschool, starts talking to a strange girl (Haruhi Suzumiya) in his class, gets coopted in a mad scheme to create a club that investigates mysteries - specifically aliens, time travelers or espers, then adding the three other members of the club. I thought it was going to be about this club actually investigating something. But no, in the third episode we realize that the three other members are an alien, a time traveler and an esper. Soon after we find out that they know about each other and that each of them and, indeed, their entire race/organization were figments of Haruhi's imagination made reality. Haruhi apparently has the ability to create entire universes, essentially making her a goddess, albeit unknowingly.

So far so good, but then for 28 episodes I waited for anything interesting to happen. Where was that amazing twist? Apparently, the twist was that she was some supernatural phenomenon and that's it. The rest is just a typical cliched Japanese high-school story, the one where the lead character is a male boy surrounded by beautiful girls that have an almost undisclosed interest in him and that do crazy stuff together. When the last episode wasn't even closing the series, I got really mad. It was a complete waste of my time. Ugh!

A World Out of Time is a book out of time as well. Larry Niven wrote the book in 1976 and it describes events that happen over a span of three million years, but it feels like The Time Machine. The hero is a guy from the 70s who's memory gets uploaded in the body of a convict hundreds years later, sent on a mission that was supposed to last tens of thousand of years (Earth time), but ending up in a joyride around the galaxy that brings him back on Earth millions of years later. The strange world of immortal creatures living like feudal savages in a world filled with broken and discarded technological wonder, but somehow still looking human, is difficult to take in. The cowboyish behaviour of the lead character and his inconsistent switch between genius and ineptitude don't help either.

It doesn't mean the book is not entertaining. I had fun with it. However it feels really long and old and I don't intend to read the other two Niven books in the same batch: The Integral Trees and The Smoke Ring, even if they sound slightly more interesting.

The second book of The Reckoners series revolves around Firefight, a character from Steelheart, the first book, that I cannot explain without spoiling it. Brandon Sanderson outdid himself, managing to describe a dark world of bright colors, a desperate and dramatic situation in which hope shines through, an impossible romance inside a war story and a totally positive view on fear. Contrasts everywhere, like a bad metaphor that discovers it is a simile before a book ends. Well, if you read Firefight you will get the reference.

The action and plot of the book are much more detailed and a level above what happened in Steelheart. The villain is more interesting, the interactions between the members of the team are more complex, with various shades of conflict, plus an interesting new location in a sunken city filled with glowing plants that feed the people and provide light at the same time. I can't wait for Calamity, the third book in the series, to appear in 2016.

I am starting to like Brandon Sanderson. Only at the end of Steelheart did I realize that he kind of used the same plot device that he used for Elantris: the ten-years-ago one. Ten years before the action of the book, Calamity struck: a red star-like light in the sky that gave random people immense powers. The governments of the world tried to fight back, but all of them ended up capitulating, declaring "epics" as impossible to control as natural disasters. Enter David (the name probably not chosen at random) an eight year old child who witnesses the death of his father at the hands of an epic that then proceeds on taking over Chicago as his personal fiefdom. Now, at 18, David meets with The Reckoners - a group dedicated to fight back - in order to avenge his father.

First book in The Reckoners series, which is a planned trilogy, Steelheart is a very refreshing take on the superhero genre, original in the sense that it takes its name after the main villain and follows a young boy who advances in life using his cunning, knowledge and personal effort, not some random superpower. The characters are easy to sympathize with and the story is very nice. Not everything is perfect, as the story contains many political, economic and even technical plotholes. However, the writing is very well done, easily making the reader forget and forgive any inconsistencies between reality and the storyline.

As with Elantris, I listened to the audio version of the book. Classical narration, but was very nice. The book is a sort of young adult thing, but I enjoyed it very much nonetheless. I can't wait for the second book in the series: Firefight. I may have to first read Mitosis, a short story placed in the same universe.

In a world dominated by trilogies and quadrilogies and sagas, it is refreshing to see that some people are writing stand-alone fantasy books. I've first heard of Brandon Sanderson when he ended up writing the last books in the Wheel of Time series, after its initial author died; those books were the best in the series, even if he had to work with Jordan's notes. Recently, I've stumbled upon this audio adaptation of Sanderson's book Elantris, produced by Graphic Audio, a company that doesn't just created narrations of books, but full audio plays - while changing nothing of the initial text.

Despite some parts being a bit too optimistic, some too slow and some really obvious - waiting for a character to catch up with you is not fun - the book was really entertaining and original. It also was Sanderson's first widely released book, so I can forgive his lack of perfection :). I really liked the story and the characters in the book. In truth, the book's message is one of hope, one of encouragement toward the human spirit becoming the best it can be. I couldn't help thinking that Sanderson probably portrayed himself in Raoden, and that guy is great.

Anyway, the plot revolves around the magical city of Elantris, populated by God like creatures that shine with the light of magic and are almost omnipotent. However, the story starts ten years after a horrible collapse of said city, which transformed every Elantrian into an immortal husk, heart not beating, hair falling, skin blotched by dark spots, incapable of healing the smallest cut or bruise, but fully capable of pain, unneeding of food, but fully able to feel ravenous hunger at all times. The process, called Shaod, has not ended, it still occasionally picks people at random and turns them into these creatures of eternal pain. The human inhabitants of nearby towns have quarantined Elantris and anyone affected by the Shaod is thrown inside the rotting city.

There are two main characters: prince Raoden and his bride to be, princess of a nearby kingdom, called Sarene. Not only them, but almost every actor is full of spirit (pun intended) and really likable, even the antagonists can be understood and sympathized with. The story is full of events that lead to character development, politics, smart plotting, drama and comedy.

Well, in the end, with all my talk of stand alone books, I was a bit sad to see the story end. I wanted more, and that's a good sign, right? Sanderson is supposedly considering writing a sequel, but it's not something that will happen soon and it will involve different characters. I liked Elantris and I recommend it to all fantasy fans.

And thus ends the fifth book in the Chronicles of Amber, and the last in the Corwin cycle. Written between 1970 and 1978 by Roger Zelazny, it was one of the most lazy fantasy series I've read so far. The Courts of Chaos is once again a book that has no connection with its title. Nothing really happens in the courts of chaos except at the very end. All previous developments in the story are discarded completely and it feels like the author slept through writing the book. It was one of the most WTF books in the series so far, as well. At every section there was at least one scene where I felt like those people watching football games and shouting at their TV about what the player should have done.

Let me give you some examples. The book itself starts with a circular time paradox, where we get to see Corwin cut off Benedict's artificial arm. This had already happened in the previous book, but from the other perspective. Thus the metallic arm was only there to be severed because it has been severed in the past, its origins non existent. Then each of the children are given orders by their father. Why would they listen to them is beyond me, as was his entire reason for leaving, reappearing, etc. Anyway, he sends Corwin on a quest to carry the Jewel of Judgement (nobody did any judgement with that stone!!) to the courts of chaos, where Benedict already went using a trump card. Of course, why call Corwin's grandfather to make another card so that he can get there instantaneously? Why indeed. So we are exposed to this totally boring expedition where people fight like children with swords and crossbows and throwing rocks at each other. No guns, of course, that would be cheating. When Corwin uses a stone to make his enemy drop his crossbow, he ignores the crossbow and almost dies in the process. When he gets to the crossbow again, he smashes it! Why use a ranged weapon at all? Oberon made a blood raven out of a bit of Corwin's blood, to accompany and protect him in shadow. Why not make a bloody (pun intended) army of ravens? Wouldn't that have been better? And it just goes on and on. They never use the cards in this book, for example, after it was already obvious they can be used as communication devices as well as offensive weapons.

Nothing really made sense, in a nutshell. I am pretty convinced Zelazny was stoned out of his mind when he wrote this, but with some bad shit, since it never seems to increase his creativity. The ending was like a slap in the face, as after their victory, using armies of pedestrians and cavalry, a funeral procession for Oberon appears out of nowhere, with a lot of people and dragons. I kid you not, they had dragons, but their only use was decorative, like some sort of Chinatown celebration paper-mache things. And they got there not by treading the land like idiot Corwin, they actually came directly there. Oh, and since Corwin didn't feel like being king, they crowned another brother. Who, you might ask? Is it the brilliant strategist Benedict? Is it the loyal and strong Gerard? Is it the devious and aloof Julian? No, it's totally Random (another pun, couldn't help myself).

The next book in the series is the first in the Merlin cycle and the first book was written in 1986. It gives me hope that in 10 years Zelazny learned to fucking write!

I don't usually post animal videos, but this really is very cute. It is space related, as well, as it is taken by a camera in Baikonur's space center. Check it out!



Got it from an article about the animals living near rocket launch pads: Launch Pad Animals, Ranked

More into the secret life of the gopher here: No one plays golf on Mars

The pattern (ahem!) becomes apparent once again: same lead character doing stuff in random order just to make the story be the way it was imaged by the author, same boring exposition, same artificial drama that could have been avoided easily if Corwin would have acted like a real character and not some cardboard placeholder of the lead, same stupid and obvious twist at the end, giving the name of the book even if most of it was about something else, same lackluster secondary characters, completely oblivious and helpless if not for the main protagonist and the mighty writer god. Indeed, the mock metaphor is not so far stretched when you think that in order to do anything worthwhile, people have to step on a pattern drawn on the floor and follow the lines exactly, without stopping, or they die. Maybe so we understand the villain better, trying to spill the blood of the children of Oberon, in order to destroy the existing pattern and build one anew: a book worth reading.

In The Hand of Oberon, Roger Zelazny again throws his Corwin character into a series of unlikely events, wooden dialogues and implausible behaviors. All strange events, that by all established rules should not be possible, are completely ignored by the characters until they appear relevant to some great reveal. Again a villain must walk the pattern and they must stop him, by posting guards, by walking the pattern after him, yadda yadda yadda. No one even considers taking a stone off the ground and hitting him on the head with it while they are hopping around the magical Hopscotch (not to mention a rubber bullet gun which would have solved everything in most situations). No one interrogates the corroborating witnesses or the people involved in the same situations until it is too late and they themselves don't act unless confronted later on in a sort of "oh, yeah" moment that is nothing but embarrassing.

The ending is just as muddled, with a scene that sees the villain put in storage for later use and a great reveal that had been obvious for a book and a half. No one seems to really care that the shadow realms have different rates of time passage either, so instead of using some trump to go to the fastest realm to talk or plan and return with entire plans made up, they sit around in feudal palaces in Amber, looking all important. I mean, Zelazny never truly describes their attire (unless it's some girl, and then he must describe her to the size of her cups), but I think that a kevlar shirt and some blue jeans and sneakers would have done wonders to the politics of the place. Oh yeah, kevlar probably doesn't work in Amber.

One book to go until the protagonist changes. At least there is some hope there...

Sign of the Unicorn continues where the second book ended and ends with another cliffhanger reveal that more or less has little to do with the content of the book! While I admit this book is slightly more interesting than the first two, the way the characters act and particularly the way Roger Zelazny completely ignores some of the main points in those books is becoming increasingly annoying. And just like the guns in The Guns of Avalon were a mere detail in an otherwise completely unrelated story, the Unicorn is something that just appears twice in the same book!

OK, enough ranting. This particular volume of the story (because it would be quite impossible to read the book without the first two, so in essence it is still the same book) is hinting about the origin of the strange forces attacking the realm, as well as explaining some more what had happened to Corwin and the court intrigues that led to it all. More of the siblings make their appearance, but their characters are reduced to conversation pieces in feudal Poirot-like instances, when they just come when bidden or do something that is instrumental to the plot going... in the same direction it was going. Instead of walking around with two Ingrams on his belt, Corwin continues to depend on his sword and reflexes, while sleeping underneath the same roof as his murderous and treacherous relatives. Instead of getting the man who sprung him from jail and using his unparalleled gift, Corwin seems to have forgotten about him completely. When he misses an important piece of jewelry that actually saves his life, he just abandons it and goes to do his usual business. And what about Bleys? After finding a solution for enhancing the power of the tarot cards, he just decides to use it once, on a single person. What about Oberon, man?! He's your dad!

Apparently, it wasn't enough ranting. It is kind of difficult for me to accept the layout of the story. Like any young adult movie recently, the author takes your sight and nails it to his narrow perspective, his favourite character and the things he feels he needs to do. Same unsympathetic shallow characters, same disaffectionate way of describing events, same predictable deus-ex-machina devices to promote the plot. Thank God these books are short!

The Guns of Avalon continues the story from the moment the previous book ended. Roger Zelazny is taking his Corwin character through some shadow land towards Avalon, where he might find the answer to his desire to claim the throne: an explosive agent that works in Amber.

His plans are soon thrown into disarray by several happenings. We meet the smart strategist brother Benedict, another blood relative Dara, we meet Gerard as well as learn a little bit more about the Amber world. However, the dispassionate style of writing as well as the dispassionate style of reading the book by its very author, made me feel close to nothing about the characters or events described. Again, I felt like learning nothing, as all the interactions between characters are very shallow and there is nothing described in enough detail to expand on the knowledge of the world or on some skill that the characters have. The author has attempted to show in the book that Corwin is a compassionate man, saving women from rape and wounded men from dying, helping his friends and being reluctant to dispatch or even harm his treacherous brothers, yet it all comes out like some guy playing a multiple option game: "Do you want to save the woman or keep going?" "Oh, what the hell, let's save the woman, see what happens". The ending of the book comes down brutally, solving several problems in a very lazy way, avoiding any controversial decisions that Corwin would (and should) have taken and introducing a magical nemesis that has no reason to exist that the reader would care about.

I am starting to feel that I've stumbled upon a dud. Two out of ten books to go (five if we consider that from the sixth book there will be a different main protagonist), and the only reasons I keep going are a promise to finish the series and my lack of strength for doing anything else.

Nine Princes in Amber describes a world in which only one place is "substance", the great city of Amber, while all others, including Earth, are just "shadow". Roger Zelazny doesn't really explain what is the difference, but we catch glimpses of the way Amber people can alter reality and that some of the things that happen in shadow cannot happen in Amber. Gun powder, for example, or perhaps even electricity. Great power can be channeled through tarot cards that hold the images of the children of Oberon or some other things, former king of Amber, while his numerous sons and daughters scheme and plan to take over the throne. The cards are drawn by a weird magician that seems to hold no political power, despite his amazing skill.

I took advantage of a flu that restricted me to bed in order to listen to the book in audio format, narrated by Roger Zelazny himself. While I enjoyed it, I didn't feel it taught me anything new. It was a pretty inconsistent story, as well. Princes and princesses and nobles, acting all smarty and aristocratic, dueling with swords and the occasional bow or crossbow, and some of the classic cliches encountered in this sort of context: like never killing your noble opponents, but imprisoning them or torturing/displaying them in order to demonstrate power.

In the end, the main protagonist remains a mystery. He starts with an amnesia, but soon he recovers his memory, making the entire memory loss kind of pointless. It is never quite spelled out who he is as a person, or what was it that he did on Earth. In truth, the book feels more like an introduction to the world of Amber, more like a teaser really, leaving the exposition of real character or description of the worlds to the following books. It is one of the first books from Zelazny, so maybe it will become better in the future. It is not explained why someone would want to rule Amber, either, as any other shadow world looks more appealing.

Even if I haven't fully enjoyed the story, I did promise a friend I would finish the entire Amber series, so we will see. After finishing it, I reserve the right to torture my friend in order to display my power by making him read something truly awesome and unsettling. I have not yet determined what yet, but a dark bird of my desire will carry my message and he will live in fear.

Zelazny himself died in 1995. I found a page written by George R. R. Martin, a beautiful remembrance of a mentor and friend. Apparently, he wrote the character Croyd (The Sleeper) in the Wild Cards series, one of the most interesting characters and appearing in many of the stories, even if very rarely as a main protagonist.

OK, I have no idea what most Japanese titles want to say. Is this about a parasite who is also a short, pithy statement expressing a general truth or rule of conduct? No, it is not. Parasyte is about a guy who gets infected by an alien metamorph, but somehow he manages to contain the infected area to his right arm. As a result, he maintains his personality, but now has a powerful alien as his right arm. It can change shape, it is very intelligent and it is generally useful when dealing with other afflicted, who usually have their brain infested, and thus are alien in their entirety.

Of course, being a Japanese anime, our hero is a high school male student after which a number of girls are pining for no good reason and that he has to fight to protect. No scenes of using his versatile tentacle arm on these girls, though. There are also some discussions about the role of these parasites and/or humans in the world, a vague ecologist propaganda that really has nothing to do with the plot and lots and lots of gore. The interaction between the human highschooler and the amoral and fiercely individualistic alien makes for most of the fun in the anime.

The series is ongoing, but I just watched the first 23 episodes and I can safely say that they could have stopped there. Probably they can come with fresh ideas, but for me the story started and ended satisfactorily with episode 23. The animation is good, but nothing spectacular, the Japanese cliches are abundant, but only barely overused and the main character is someone you can easily like and understand.

As far as I can see the anime faithfully follows the manga and episode 23 ends where the manga chapter 62 ends. There are just two other manga chapters published, so the anime and mange are pretty much synchronized. You can read the Parasyte manga online.