Imagine a space pulp "escape from a room" story and you get The False Admiral (also known as simply Admiral). Sean Danker writes a short and fast paced story about three Evagardian space navy members that find themselves on a derelict ship on an unknown alien planet. From start to end the hero of the story, helped by the other younger three, must solve problem after problem in order to keep them alive. It's a short, fun and simple book.

At first I was convinced that this was not the beginning of the story. The main character mentions previous events that are not described in the book and he makes efforts to hide his real identity from the others, to the point where they have to choose between trusting him or arresting him as an enemy spy. But no, that part of the story is not written yet. A second book in the Admiral series has been released, called simply Free Space, but I will probably not read it. And this is not because I did not enjoy Admiral, but because I have other stories I would rather read.

Bottom line: when you need a quick disconnecting read, try this book. It's dubious sci-fi and it is rather more similar to detective noir than space opera or military stories, but it is fun.

Hex has a very King-like feel. The quintessential American little town, the close knit community, the apparent order and control, the breaking of chaos and the reveal of the true face of humanity. And yet, the inspiration for the story came from Roald Dahl's The Witches and it was originally about a little Dutch town. However Thomas Olde Heuvelt saw an opportunity while reviewing the English translation of the book and updated it for an American audience.

The premise is interesting enough. Imagine a modern town that is also haunted by the 350 year old witch that cursed it. People have molded their lives around the witch, using the Internet and technology to monitor her and hide her from the world outside their little town. And when something goes wrong, it goes very wrong. However, I loved that the end was not the typical American horror story, in which the baddie does unspeakable things and the heroes suffer and maybe prevail after grievous losses. It's difficult to talk about it without spoiling the ending, so you will have to read the book and remember me when Katherine displays shock.

Now, I can't say I loved the book. It is well written and the characters are compelling enough. However, it did feel like someone was excited to write a story in the American way, and that is exactly what I did not expect from the author. I mean, I've read The Boy Who Cast No Shadow and that was both powerful and fresh. Hex is not very long, though, and easy to read. Perhaps its best feature is also its worst: it is predictable. You read it and it's like those supposedly funny fail videos where you know something is going to happen, you can even guess what it is going to be, but you are still watching to see it unfold. If you like Stephen King, you will like this book.

As an experiment, try to find this video without knowing the name of the song or of the band. I tried so hard until my brain just gave up and remembered the name of the band all by itself. So here is the video. Now I can always find it when I need it. Cool song and video, I think.



And so that other people can find it: it's a music video about an astronaut crash landing on an alien planet and finding his own dead bodies and more versions of himself continuously falling and dying in different ways.

Obsidian and Blood is a collection of all the works in the Aztec magical universe created by Aliette de Bodard. It contains the three books Servant of the Underworld, Harbinger of the Storm and Master of the House of Darts, plus three short stories (which perhaps you should read first). The stories can be found online, if you want a free taste.

Now, while I enjoyed the books, I felt a little cheated. In fact, these are not fantasy books as much as policiers, just set in the tiny and magical Aztec world. Acatl, priest of the Dead, is trying to solve the mystery of various murders and magical transgressions. He is driven, moral and relentless, willing to sacrifice everything in order to save his friends, loved ones and ultimately the world. So it's basically a cop book, only with Aztec gods around.

The writing style is very technical, reminding me of so many other authors that learned the craft in writing classes, with a mentor and a group and so on. However, it was in no way innovative. I felt that the books are the written equivalent of TV movies: professional, but mediocre. And while I stuck through all the books instead of stopping with the first, it's kind of like watching the rest of a miniseries just because you watched the first episode.

The context is the only thing that elevates the book above average. It is an interesting setup to base the stories on Aztec mythology, but I felt that modern sensibilities prevailed and the author chickened out when it came to child sacrifices and ritual torture and so on. They are mentioned, but everybody, whether heroic or villainous, is rational and follows a modern way of thinking.

Bottom line: I wish these were filled with the horror and majesty of the old blood gods, making me feel something visceral and true, more like the short stories and less than the books. As such, these are just police mystery stories set in the Mexica empire.

Hungry Trekkies, not nourished enough by the latest Star Trek movies, have been treated with not one, but two Star Trek series this fall. One is Star Trek: Discovery, the other is The Orville.

You may be incredulous at first, considering you are likely to not have heard of The Orville at all and, if you did, you thought it was a Star Trek parody. But no. Four episodes into the series it's pretty clear that this is a serious sci-fi opera, with some comedy added for spice. What about the new Star Trek series? Well, it's set before The Original Series, it has the visuals closer to the Abramsverse Star Trek (but without the flares, thank you very much), it has redesigned Klingons and a pretty impressive first two episodes.

It is too early to discuss the plot of Discovery yet as the premise hasn't even been revealed in its entirety. As of yet I can only tell you that I hate the main character. A human female raised by the Vulcans behaves in a way that makes one believe her education was acquired only from Vulcans in Pon Farr. CBS went all in and made the show available on their own CBS All Access network and hired actors like Michelle Yeoh to play in the pilot.

Yet Orville, with clearly less money and with TV actors and comedians managed to do better. The episodes are separate, like in a traditional Star Trek series, rather than a long serialized story. The plot of each episode is related to social or moral issues, like in traditional Star Trek series. People are positive and talking about themselves and their feelings, like traditional Star Trek series. There is comedy, but it is not part of the scaffolding of the stories. It's just a funny crew in a Star Trek clone that's as close as it gets. And if we are at the subject of celebrity actors, episode four has freaking Liam Neeson in a few scenes.

Conclusion: it may go either way, but right now The Orville seems to have done what I thought people would do: renounce the CBS/Paramount property and their money grabbing schemes, but keep faith with Gene Roddenberry's vision. Because that is the soul of Star Trek, not the money thrown by corporations to turn it into an all action and explosions piece of crap. Still, I have hope for Discovery as well. Only time will tell.

P.S. Now if they would only do Andromeda right...

While Blood of Elves is the third work in Andrzej Sapkowski's Witcher series, it is the first actual book, the rest being collections of short stories. The style is the same, the characters the same. What changes is the scope of the story, the size of the described universe.

Is that a good thing? I can't say. While I applaud Sapkowski's attention to historical detail and the way the names are written or spelled in human or elven languages, the action still feels like I'm watching one of those Polish TV plays for children. A lot of dialogue, some exposition, no end to the moralizing stories about the environment and how politicians suck. So I am undecided whether this is a better way of treating The Witcher. However, I can say that the first book in the saga is nothing more than a chapter in a large story. A lot of set up, a lot of discussions, a lot of "almost there, but not quite" and then the book ends when you were starting to wonder what is going to happen. That makes the book incredibly disappointing as a stand alone story and, as I don't intend to read more of the Witcher, kind of a waste of time.

It is similar to one of those Hollywood movies that get split into two parts and it is never a good idea to watch the first part, then wait for a year to see the continuation. While I could read it really fast and there was nothing complex in it other than the political and geographical details, the story is almost nonexistent. I didn't like that at all. To add insult to misery, the book is about Ciri, the princess/witcher/witch, and very little about Geralt who appears mostly in memories and does very little in the story.

Bottom line: unless you are committed to read the entire Witcher series, don't bother reading this volume. It's not that it is badly written, it's that it does nothing but setting up the next books. It is an oversized chapter of a larger story and cannot be entertaining as a stand alone.

This book is NOT about vampires. For a long time I avoided reading it because the title so suggested some steamy vampire young adult crap. But no! The book is a hard sci-fi book about the end of humanity, written in a style that I can hardly imagine any man would be able to adopt. And that's a good thing.

Lilith's Brood is in fact a collection of three works (Dawn, Adulthood Rites, and Imago) by late writer Octavia E. Butler. That is why it is so damn long. Since she died, there won't be any more books in the series, so the "Xenogenesis #1-3" label is a bit misleading, just the name of an out of print collection that gathered the three stories together.

The story is about a species of aliens who decide to save the human race after a global war that had doomed it to extinction. The aliens are very interesting, but even more interesting is how the author surfs the edge of defining them as good or evil. Some of the things they do are benevolent and generous, others are, by human standards, insidious and evil. Imagine a benevolent Zerg species coming to Earth. Or a biological Borg with good intentions. Or an intelligent virus that rationalizes its actions as for the better good. It is difficult to keep reading as it pretty much describes the salvation of the human race as a centuries long rape and corruption process by a species that is much more advanced than us, but in very important ways, more animal than humans are. And we are almost helpless. Imagine you are a pet of omnipotent new-age vegans. It's something like that.

I was saying that only a woman could have written about it in this way because the focus is on survival and procreation, on protecting and avoiding death, on how the body feels rather than the mind. I do think that males were presented as either violent mindless rapey idiots or sensitive pacifist weak side characters. The arrogance of the aliens also has a strong vibe of "mama knows best", which explains why males were reduced to enraged murderous states. I mean, that's always the result of that "educational method". But the book is good enough to make you ignore that.

The bottom line is that this is a great book, one that is incredibly detailed and focused on characters, rather than technology or some story arch that has to end at some defined point. It made me think of so many things. I've once had this fantasy of writing a book about people being treated as pets. This is as close as I've read so far. Lilith's Brood made me reconsider the way I raise my dog! It also made me think of the nature of individuality, its benefits and perils, or the definition of humanity. Can you still be human when stripped of all dignity? As I said, while very very good, it is not easy to read. I was sometimes putting the book down and fantasizing on things I would have done if I were some character in the book.

Worth a read, that's for sure.

You may have noticed that when using the Pirate Bay site, your CPU usage goes up all to the top. That is because the web site is silently using CoinHive, a distributed cryptographic currency miner that uses the processing power of web users. The easiest solution for me was to go to %windir%/System32/drivers/etc/hosts and add the line

1.1.1.1 coin-hive.com

This tells your computer that the coin-hive server is in an unreachable place. You could add URLs with coin-hive in your URL filter or ad blocker software instead.

Now, CoinHive is not a bad thing. (Using it silently is. I wonder if they do this for mobiles as well, destroying their battery life.) In fact, the idea is pretty interesting and I've considered it before in a different context. I may still use it. You are browsing a web site and there are no ads on it or you have a mighty good ad blocker. How is that site to sustain itself? It does so by using some of your processing power. Before the advent of cryptocurrency, there was not way of efficiently monetize CPU power. People have tried, with projects like SETI@Home, but it was always a not very granular process. It only worked for processes that could be split into tiny pieces that were still relevant.

So there you have it, an interesting idea, used in a nefarious way :) Or, if you want to support the site, leave it on. You will make them money.

The Last Wish is not what I expected. I liked the Witcher games reasonably well, but I liked the character in the stories of the games more than the one in this book. Andrzej Sapkowski creates this character who is trained by pain, knowledge, poison and discipline to become the ultimate monster killer. However, the result is a very ordinary person, one who is better at fighting and resisting various magic or chemical attacks, but still a regular dude. He has friends, he falls in love and has moral qualms, he gets defeated and knocked out.

The book is actually a collection of short stories with Geralt the witcher as the main character. Some are reimaginings of classical folk tales, but all of them are about real versus perceived monsters. Is something huge with dagger like teeth a monster to be killed or is there a cursed person inside. Is a normal human less monstrous just because he looks normal, or is he a cruel and vicious villain? In all stories there is a lot of dialog, with characters that are not clearly developed talking a lot about what is going on. I didn't like that. It felt like reading plays.

But even so, I would have said that the book is OK. Like someone trying to write a fairy tale of their own. Why not? But there was this expectation from the games that the witcher was a womanizer that decides who lives and who dies based on his own strange code and lives on the edge by the strength of his skill. In fact, in the books he is the most decent hero I've read about in a while. He is one of the last of a dying breed, like samurai or American native warriors, not because of the monsters that kill them off, but because of humans spreading everywhere and expecting everyone to live by their code of conduct. If he would kill all the monsters in the world, he would be the very next to be destroyed by the people who no longer need him and have always hated him. Let me tell you that it is hard to reconcile my expectations with the book character.

Bottom line: an OK book. Certainly not great in any respect. I recommend you read it before researching the character or playing the games. I think that the book makes the games more interesting, by adding a backdrop story, but the games make the story hard to enjoy... because they are simply better.

We Eat Our Own is a reimagining of the making of an infamous movie called Cannibal Holocaust. It was an exploitation movie, featuring all kind of violence, from rape to murder and cannibalism, but also one that strives for maximum realism. In her book, Kea Wilson is portraying a world of emotional dog-eat-dog, with the movie and even the reality around the film set becoming part of a cannibal act where people use and consume and corrupt others.

I can't say I enjoyed the book too much. It is very well written and it makes the reader get visceral feelings about the people and the events inside, however I couldn't make myself care about any of it. In striving for realism herself, Wilson managed to make all her characters human, flawed, real, and almost impossible to empathize with. You understand some of them, you even see yourself think or act the same, but none of it is something you would want to see yourself do. Also, while a lot of the people in the book are caught in an abuse cycle, none of them is actually stuck there. They can leave at any time. Perhaps this is the most intriguing and interesting point of the story: even the most horrible things that we do to each other require some form of consent from the victims, some form of submission, without which the abuse would never happen or at least, not last too long.

In conclusion, I am sure there are a lot of people that will enjoy the hell out of this book. People oriented, feeling focused people, perhaps. I had difficulty making myself finish it, even fully conscious that the writing was very good. But this is my review, so I will not grade this above average. Probably it is a good idea to watch Cannibal Holocaust first, even if the movie is only an inspiration for the book.

Malka Older is a writer, humanitarian worker, and PhD candidate at the Centre de Sociologie des Organisations (Sciences Po) studying governance and disasters. Named Senior Fellow for Technology and Risk at the Carnegie Council for Ethics in International Affairs for 2015, she has more than eight years of experience in humanitarian aid and development, and has responded to complex emergencies and natural disasters in Sri Lanka, Uganda, Darfur, Indonesia, Japan, and Mali. (quoted from the About the Author section) And if your interests are not exactly aligned with the author's, you will probably not like this book.

Infomocracy describes a near future in which countries have dissolved their borders and instead opted for a system of centenals, groups of 100000 people who vote for the system they want instead of having it shoved down their throats based on where they were born. A decent idea that deserves some thought. However, the entire story, action and drama of the book is about the voting process. It's like a cyberpunk novel written by a voting system enthusiast with an obsessive disorder, thus feeling both boring and out of touch. It was literally hard work finishing the story, trying to understand why I should care about the stuff happening there or about any of the characters.

Even taking into consideration that it is the first book Older wrote and that it is supposed to start a cycle (damn it, people, write something for its own sake, not for endless series and trilogies and sagas!), the book is still a failure, because it doesn't really explore the way microdemocracy works, instead focusing on a bunch of electoral agents and some of the underhanded methods to sabotage the system. The players are not clearly defined, the characters are shallow and so it is almost impossible to care about any part of the book. You want a good sci-fi book about microdemocracy, try Daemon, by Daniel Suarez.

Throne of the Crescent Moon is basically a young adult novel, even if the main character is a fat old "ghul hunter" rather than his young apprentice. Its freshness comes from the elements of Arabic folklore used as the basis of the fantastic elements. For me reading the book was an interesting experience, as in my head the plot was blending with the stories of One Thousand and One Nights and the animation of Disney's Aladdin. I felt that Saladin Ahmed wrote some delicious characters, even if a bit shallow, and that the story didn't lose points because of its simplicity, rather the opposite. The result is an easy to finish book with Middle Eastern mythology themes in a classic good versus evil story.

The book this reminded me most of was The Spook's Apprentice, but with a different mythology and a different character focus. Just like that series, this can be considered a book for children, but having elements that are appealing to adults as well. To me the most pleasing aspect was the different culture presented, although it wasn't something very new to me. I was raised on stories of spoiled khalifs and evil viziers, young and noble rogues and beautiful girls and mysterious magics, after all. And probably a large element of why I enjoyed the story was this connection to my childhood.

While I can't say it was some sort of masterpiece, this was an entertaining book for me. If you are looking for a relaxing read, try this one.

I read the book before I knew it was part of a trilogy, but of course it is. I would have personally preferred to have the first book as standalone, particularly since it had an almost open ending. It would have made it clear that the story isn't that important as the character. But hell, there is no mystery anymore, even in fantasy.

The Vagrant feels like a mix between Shogun Assassin and Samurai Jack, as it features a sword bearing silent type - well, he's a mute - walking with a baby through a desolate, part feudal part futuristic landscape, while demon essence is threatening to corrupt the world.

Peter Newman even uses a style of writing that often discards definite articles. A sword slashes, a man falls, a demon howls, stuff that happens, inevitably, randomly, viciously. I liked that the main character strives to survive, but he is not indomitable. He gets doublecrossed, wounded, almost killed. He doesn't win every battle and when he does, it is difficult every time. Luck saves him several times and some people he wants to save cannot be saved. Towards the end this tendency falters and he becomes a little bit too knighty for my taste. Abstract and stubborn principles start to rule him, he starts fights that he need not fight, jeopardizing his mission. However, that ends up playing a big part in the last part of the story, setting up the next books, I guess.

The demons are interesting, too. Creatures of corrupted flesh and demonic essence, they are just trying to survive in a world alien to them, while ruled by instincts alien to us. I liked that they were not boring empty clichés of evil and were almost sympathetic. I've long dreamt of a story that tells the story from a demon's perspective, hunted by religious jerks who want to destroy it and the dark magicians that conjured it who want to control it. I mean, wouldn't you be pissed off? This book is very close to that perspective.

Funny enough, I thought the scenes with the baby and the goat were really well done, as the author describes their internal mental processes with gusto and humor, without them being pointless comic relief scenes. Newman seemed to understand how children and animals navigate the world.

In conclusion, I liked the book. I would probably continue to read the series if not for having other books that I want to sample. It is stylistically interesting and the characters are well constructed, while leaving the main story a bit in the background. I liked that. At least at this time I enjoy reading character centric books more than the ones that focus on plot and ignore the people involved in it.

TLDR version:

0x80070643 is probably thrown when you don't have the right software version, in other words, the update is not for you. Sometimes you need to upgrade your software in order for it to apply. To fix the problem with SQL Server, try installing the SQL Server 2014 Service Pack 2 if you are still at SP1.

Now for the full version:

I thought the way Windows updates is a good thing. It keeps the computer up to date, regardless of how annoying it is to stop your work in order to perform updates. The problem, though, appears when having to perform an update that fails. Windows Update will nag at you again and again and again that you have updates. You don't have the option to ignore an update (unless you download a specific tool) so you are forced to solve any problem with the update. This is still a good thing, even if annoying. And if regular people that don't know how to solve issues like that are angered enough, it will also motivate Microsoft to test their updates better. Win, win. Unless it happens to you!

Anyway, this blog post is about KB4019099 or KB4032542 - Cumulative Update 13 for SQL Server 2014 SP1 which failed with a vague error code Error 0x80070643, which is met in several situations when trying to install stuff. In order to get to the bottom of the problem, I manually downloaded the installer for the update and tried again.

This time the error was clearer: TITLE: SQL Server Setup failure.
------------------------------

SQL Server Setup has encountered the following error:

The cached MSI file 'C:\WINDOWS\Installer\1bfcbd.msi' is missing.
Its original file is 'sql_engine_core_inst.msi' and it was installed for product 'SQL Server 2014 Database Engine Services' from 'F:\x64\setup\sql_engine_core_inst_msi\', version '12.1.4100.1', language 'ENU'.
To resolve this problem, recover the missing file from the installation media and start setup again.
For more information about how to resolve this problem, see 'Steps to restore the missing Windows Installer cache files' (http://go.microsoft.com/fwlink/?LinkId=144387) in the Microsoft Knowledge Base.

Error code 0x84B20002.

For help, click: http://go.microsoft.com/fwlink?LinkID=20476...

Amazingly enough, the link that is supposed to solve the problem actually solves the problem. First of all the go.microsoft.com link causes too many redirects for Chrome, so you have to open it in some other browser. Once you do that, you reach this link: How to restore the missing Windows Installer cache files and resolve problems that occur during a SQL Server update and at the end you get a VBS script that seems to repair missing C:\Windows\Installer files from the original installation source.

The first thing the page says is to try setup.exe /ACTION=REPAIR /INDICATEPROGRESS=TRUE from the original installation source for SQL Server 2014, which of course you don't have anymore. But even if you do have it and you run the command, it fails near the end with a funny error: "C:\WINDOWS\Installer\1bfa87.msi" So the only possible solution is to run the VBS script. After that, the update install actually started.

... and failed with another error: The upgrade cannot be installed by the Windows Installer service because the program to be upgraded may be missing, or the upgrade may update a different version of the program. Verify that the program to be upgraded exists on your computer and that you have the correct upgrade.
Error code: 1642. Why are you asking me to upgrade something if I don't even have the version you need?! I've tried the setup repair option, just to see if anything else changed since running FindSQLInstalls.vbs, but I got the same error.

Under the assumption that the "original installation source" is actually not enough - since there was a Service Pack 2 released since I've installed SQL Server from a kit, I've downloaded the SP2 file. Maybe it has a repair option. Ran it, and it ran successfully. Could it be that I never upgraded my SQL Server instance? Yes. Then all those "different version" messages actually make some sense.

Once I did that, Windows Update presented me with different updates altogether! Note that the original update said "SQL Server 2014 SP1" when executed.

Some of the updates installed OK, some failed, mainly Security Update for Microsoft Visual Studio 2010 Service Pack 1 (KB2645410) and Update for Microsoft Visual Studio 2010 Service Pack 1 (KB2635973). These are updates from 2012 and are related to the standalone VS version used by SQL Server Management Studio. I tried a restart, the updates remained there to annoy me. They both failed with error code 0x80070643 and when tried to install them manually they both reported the wrong software version.

Perhaps it is from all the meddling. Installing SP2 would have probably solved all the problems.

I hope it takes you less time to figure this out, once you've read this article.

Update: How to solve the issue of obsolete Visual Studio 2010 updates:

I've downloaded the Microsoft Fixit tool for forceful uninstall of software, even if the installer is not cached in C:\Windows\Installer. Then I uninstalled "Microsoft Visual Studio 2010 ENU". At this moment SQL Server 2014 Management Studio would not work anymore due to a missing component. Then I reinstalled Microsoft Visual Studio 2010 Shell (Isolated) Redistributable Package. At this moment SQL Server 2014 worked again. Then I ran Windows Update, which found several updates to download, including a Service Pack 1 and several others. Their installation went with only a hitch, a random 0x80246007 (BITS service) error that went away when I retried the update. I started Microsoft SQL Server 2014 Management Studio, just to be sure it worked, and it did. Finally.

Thus endeth the saga of the reluctant Windows Updates.

The Fireman has a lot going for it: world ending global pandemic, superpowers, people finding strategies in order to survive, communities giving into the mob mentality, heroes fighting evil, etc. Joe Hill writes well and the story captivated me from start to end.

That being said, there are some issues with the book. The story is about a global infection with a fungus that makes people burst into flames, but narrowly focuses on a few characters in a small American town. Yet the story abounds in details for every scene: what everybody does, what they think, how the scene changes. Also, while there are some explanations of why things happen the way they do, close scrutiny destroys any logical explanation, so less material would have helped suspension of disbelief. I feel like a little editing that would have removed 10-20% of the book would have benefited it greatly, fixing some issues with pacing. There were times when I just had to skip paragraphs, as in moments of tension the author insisted of describing all kinds of inconsequential things.

Also, at the end of some chapters, there were little phrases where the character would disclose the outcome of the next chapter. I did not appreciate that. Imagine a scene where a character is hopeful and, instead of hoping with them and then being devastated by the story, you just go through the scene knowing how it is going to end. Don't do that, Joe!

It was interesting that the main protagonist (who is not a fireman, BTW, that was a silly title) is a woman. Her character, abused, manipulated and lied to by people in authority in her life, is almost feminist in nature. Other secondary characters are also female or children, with the writing focusing on human relationships. If I didn't know better, I would have said the book was written by a woman. I can only commend Joe Hill for being so good at describing the world and the people from the eyes of this character.

Other than that, the story was really fresh. I don't want to spoil anything here, enough to say that it made my emotions alternate wildly between excitement, fear, disgust and frustration. While optimistic in nature, The Fireman describes so many ways in which people just give in to their inner selfishness and evil. The themes touched by the story vary, but gravitate around one central idea of human relationships: a couples, as communities and what happens when these seemingly good things are contaminated with fear. These are themes one is used to find in Stephen King books and, surprise!, Joe Hill is actually King's son. He is trying his best not to advertise this, though, and I think he is a good writer on his own.

The characters are very human, well created, frustrating in their mistakes, just like normal people are. The author made the lead characters a bit too clean, always taking the high road, always being spared of the tough soul scarring choices by their environment or the people around them. I thought that was a weak point in the book. Without being forced to make hard choices, characters have no reasons to evolve.

Anyway, my recommendation is to read this book. It is scifi and fantasy and clinical dissection of humanity. It is well written, even if a little too long for its story.

Almost two years ago, Variety was reporting that the book was being developed by Fox into a movie, yet there is no other information more recent about this.