Update: If you are behind a proxy, here is some additional code to add right after creating the update session:
'updateSession.WebProxy.AutoDetect = true 'try this first. It doesn't work so well in some environments if no authentication windows appears (*cough* Windows 8 *cough*)

strProxy = "proxy name or address:proxy port" 'ex: 1234:999
strProxyUser = "your username"
strProxyPass = "your password"

updateSession.WebProxy.Address=strProxy
updateSession.WebProxy.UserName=strProxyUser
updateSession.WebProxy.SetPassword(strProxyPass)

I am working behind a "secured" web proxy that sometimes skips a beat. As a result there are days in which I cannot install Window Updates, the normal Windows update application just fails (with Error Code: 0x80246002) and I am left angry and powerless. Well, there are options. First of all, none of the "solutions" offered by Microsoft seem to work. The most promising one (which may apply to you, but it did not apply to me) was that you may have corrupted files in the Download folder for Windows updates. As a result you need to:
  • Stop the Windows Update service issuing the command line command: net stop wuauserv or by going to Control Panel, Services and manually stopping it.
  • Go to the download folder parent found at %systemroot%\SoftwareDistribution (cd %systemroot%\SoftwareDistribution) and rename the Download folder (ren Download Download.old)
  • Start the Windows Update service issuing the command line command: net start wuauserv or by going to Control Panel, Services and manually starting it.

So my solution was to use a script that downloads and installs the Windows updates from the command line and I found this link: Searching, Downloading, and Installing Updates that pretty much provided the solution I was looking for. There are two issues with the script. The first is that it prompts you to accept any EULA that the updates may present. The second is that it downloads all updates, regardless of severity. So I am publishing here the script that I am using who fixes these two problems: EULA is automatically accepted and only Important and Critical updates are downloaded and installed:
Set updateSession = CreateObject("Microsoft.Update.Session")
updateSession.ClientApplicationID = "Siderite :) Sample Script"

Set updateSearcher = updateSession.CreateUpdateSearcher()

WScript.Echo "Searching for updates..." & vbCRLF

Set searchResult = _
updateSearcher.Search("IsInstalled=0 and Type='Software' and IsHidden=0")

WScript.Echo "List of applicable items on the machine:"

For I = 0 To searchResult.Updates.Count-1
Set update = searchResult.Updates.Item(I)
WScript.Echo I + 1 & "> " & update.Title
Next

If searchResult.Updates.Count = 0 Then
WScript.Echo "There are no applicable updates."
WScript.Quit
End If

WScript.Echo vbCRLF & "Creating collection of updates to download:"

Set updatesToDownload = CreateObject("Microsoft.Update.UpdateColl")

For I = 0 to searchResult.Updates.Count-1
Set update = searchResult.Updates.Item(I)

addThisUpdate = false
If update.InstallationBehavior.CanRequestUserInput = true Then
WScript.Echo I + 1 & "> skipping: " & update.Title & _
" because it requires user input"
Else
If update.EulaAccepted = false Then
update.AcceptEula()
WScript.Echo I + 1 & "> Accept EULA " & update.Title
addThisUpdate = true
'WScript.Echo I + 1 & "> note: " & update.Title & " has a license agreement that must be accepted:"
'WScript.Echo update.EulaText
'WScript.Echo "Do you accept this license agreement? (Y/N)"
'strInput = WScript.StdIn.Readline
'WScript.Echo
'If (strInput = "Y" or strInput = "y") Then
' update.AcceptEula()
' addThisUpdate = true
'Else
' WScript.Echo I + 1 & "> skipping: " & update.Title & _
' " because the license agreement was declined"
'End If
Else
addThisUpdate = true
End If
End If

If addThisUpdate AND (update.MsrcSeverity = "Important" OR update.MsrcSeverity = "Critical") Then
'wscript.echo ("This item is " & update.MsrcSeverity & " and will be processed!")
Else
'comment these lines to make it download everything
wscript.echo (update.Title & " has severity [" & update.MsrcSeverity & "] and will NOT be processed!")
addThisUpdate=false
End If

If addThisUpdate = true Then
wscript.echo(I + 1 & "> adding: (" & update.MsrcSeverity & ") " & update.Title)
updatesToDownload.Add(update)
End If
Next

If updatesToDownload.Count = 0 Then
WScript.Echo "All applicable updates were skipped."
WScript.Quit
End If

WScript.Echo vbCRLF & "Downloading updates..."

Set downloader = updateSession.CreateUpdateDownloader()
downloader.Updates = updatesToDownload
downloader.Download()

Set updatesToInstall = CreateObject("Microsoft.Update.UpdateColl")

rebootMayBeRequired = false

WScript.Echo vbCRLF & "Successfully downloaded updates:"

For I = 0 To searchResult.Updates.Count-1
set update = searchResult.Updates.Item(I)
If update.IsDownloaded = true Then
WScript.Echo I + 1 & "> " & update.Title
updatesToInstall.Add(update)
If update.InstallationBehavior.RebootBehavior > 0 Then
rebootMayBeRequired = true
End If
End If
Next

If updatesToInstall.Count = 0 Then
WScript.Echo "No updates were successfully downloaded."
WScript.Quit
End If

If rebootMayBeRequired = true Then
WScript.Echo vbCRLF & "These updates may require a reboot."
End If

WScript.Echo vbCRLF & "Would you like to install updates now? (Y/N)"
strInput = WScript.StdIn.Readline
WScript.Echo

If (strInput = "Y" or strInput = "y") Then
WScript.Echo "Installing updates..."
Set installer = updateSession.CreateUpdateInstaller()
installer.Updates = updatesToInstall
Set installationResult = installer.Install()

'Output results of install
WScript.Echo "Installation Result: " & _
installationResult.ResultCode
WScript.Echo "Reboot Required: " & _
installationResult.RebootRequired & vbCRLF
WScript.Echo "Listing of updates installed " & _
"and individual installation results:"

For I = 0 to updatesToInstall.Count - 1
WScript.Echo I + 1 & "> " & _
updatesToInstall.Item(i).Title & _
": " & installationResult.GetUpdateResult(i).ResultCode
Next
End If
WScript.StdIn.Readline()

Save the code above in a file called Update.vbs and then creating a batch file that looks like this:
@ECHO OFF
start "Command line Windows update" cscript Update.vbs

Run the script and you will get the .vbs executed in a command line window that will also wait for pressing Enter at the end of execution so you can see the result.

For other solutions that are more system admin oriented, follow this link which provides you with a lot of possibilities, some in PowerShell, for example.

Also, I didn't find a way to install the updates without the Windows annoyance that asks me to reboot the computer popping up. If you know how to do that, I would be grateful.

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I have been watching this weekly space show made by a husband and wife couple working for SpaceX. Initially called Spacevidcast, now it is called TMRO (pronounced Tomorrow). It is a great show, great quality, nice humor and, more than anything, a comprehensive video report on weekly events in space exploration, commercial or otherwise. If you are even remotely interested in space, you should subscribe. And they have been doing it all from their own resources and crowdfunding for seven years! You gotta love that.

But the selfish reason I am blogging about them is that I got mentioned in the TMRO show! Click here to see how they are trying and even succeeding to pronounce my Internet nom de guerre. The effort is appreciated.


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Because of idiotic firewall rules at my workplace I am forced to use Hangouts rather than Yahoo Messenger as an instant messenger. I am not going to rant here about which one is best, enough to say that most of my friends are on YM and being on Hangouts doesn't help. Hangouts has many annoyances for me, like its propensity to freeze when you lose Internet connection often or the lack of features that YM had. In fact I was so annoyed that I planned to do my own professional messenger to rule them all. But that's another story.

I am writing this post because of a behaviour of the Google Hangouts instant messenger (which, to be fair, is only a Chrome extension), mainly that after a while, the green traybar icon of the messenger goes in the "hidden icons" group. I have to customize it every day, sometimes twice, as it seems to reset this behavior after a period of use, not just on restarts. There is a Google product forum that discusses this here: System tray icon resets every time Chrome is started where you also see a few comments from your truly.

I immediately wanted to create a script or a C# program to fix this, but at first I just searched for a solution on the web and I found TrayManager, a C# app that does what the "Customize..." tray link does and more. One of the best features is a command line! So here is what you do after downloading the software and installing it somewhere: TrayManager.exe -t "Hangouts" 2. Now, probably that doesn't solve the problem long term. It is just as you would go into the Customize... link, but it's faster. Also, it has no side effects if run multiple times, so you can use Task Scheduler to run it periodically. Yatta!

BBC's show The Sky at Night did a coverage of the Rosetta mission, called How to Catch a Comet. It is the standard popular science show, with a lot of fake enthusiasm from the reporters and simple language and explanations, but for people who read this blog entry and wonder what the hell Rosetta is, it does the job. The fat black reporter is really annoying, and not because she's black, but because she feels completely fake whenever she says anything. Other than that the show is decent.

You get to learn about comet 67P, the Rosetta probe features and mission, walk around ESA, talk to scientists and even see a how-to about photographing comets - it was funny to see a shooting star in the night sky while the guy was preparing his camera and talking in the video. Of course, for me the show stopped just when it was getting interesting. I know you can't do much in 29 minutes, but still. I hope they do follow-up shows on Rosetta and I can't wait for November when the lander module will try to grapple the comet and land.

Just in case I've stirred your interest, here are some links that can cover the subject in a lot more detail:
ESA Euronews: Comet Hunters: Rosetta's race to map 67P - 8 minutes and a half of Euronews report from 11 August.
ESAHangout: How do we journey to a comet? - Google Hangout from ESA explaining the mission. It's one hour long and it dates from the 26th of June. Many other videos about Rosetta can be found on the ESA channel.
A playlist about Rosetta from Mars Underground. The most interesting is this video, published on 11 Aug 2014. It lasts an hour and a half and shows the first mission images and science results.
Comets - A wonder to Behold, A continuing Stream of Surprises - The Beauty and the Danger, not about Rosetta, but one hour and a half about comets. The documentary is trying to justify a controversial theory about the electric nature of comets. It is well done with a lot of proof, but I know too little about the theory so I can't recommend it. Interesting, though.

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In this post I will try to bring to your attention something that will probably change the world significantly. In 1909, German chemist Fritz Haber successfully fixed atmospheric nitrogen as ammonia in a laboratory and five years later a research team from BASF, led by Carl Bosch, developed the first industrial-scale application of the Haber process, sometimes called the Haber-Bosch process. Ammonia is extremely useful for many applications, the least of each is gunpowder and explosives and one of the most important is fertilizers. Without the Haber-Bosch process we probably wouldn't have the Green Revolution.

So today I found this article in Ars Technica that says that Researchers have developed a method to produce ammonia starting only with air and water. Not only is it more energy efficient than the century-old Haber-Bosch process that’s currently in use, but it’s also greener. The article goes on to say that almost 2% of the entire world energy is used to create ammonia; making the process more efficient is great! But I have to say that this is probably just the tip of the iceberg. Lowering the production cost of such a basic article will ripple throughout many industries, lead to innovation or the possibility to use some old innovation that until now was unfeasible.

I am not a chemist, so my enthusiasm may be way off-base, but my gut feeling is that this improvement on a century old process will have a great and positive effect.

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The summer season is fast approaching and there have been a lot of changes in the TV series arena. As usual, the red indicates shows that I don't recommend and green the ones that I recommend.



  • Elementary - I was correct, there was an entire arch of the story regarding the brother of Sherlock, French mafia, MI6, moles, etc. It lacked subtlety and it was mostly boring. How come normal murders are so much more interesting than archvillain trickery?
  • The Tomorrow People (2013) - the show was cancelled in May. I can't say I am sorry, though. It was typical young adolescent idiocy.
  • The Originals - I am however completely not happy for NOT cancelling this crap.
  • Marvel's agents of S.H.I.E.L.D. - Yay! Hail Shield! Good guys win again. And also Samuel L. Jackson appears in the end season, bringing with him what appear to be Shield agent clones? Did he steal them from Star Wars?
  • Ripper Street - Filming for the Amazon online channel was supposed to begin in May. I think it has.
  • Babylon - No news yet, but there are certainly no news of cancellation, so I guess we will see the next episodes being released later this year.
  • Banshee - Third season confirmed.
  • Bitten - Another show that was renewed for a second season for no apparent reason. It is just awful.
  • Black Sails - Renewed for a second season, I partly like it. It is at least well done, with decent acting and an eye for detail.
  • From Dusk Till Dawn - As a funny commenter observed: in an incredible moves the owners of the El Rey network renew the show produced by El Rey for a second season. I understand the difficulty of translating a movie into a series... wait, there is a sequel, too? Wait, there is a From Dusk Till Dawn third part? I've never heard of them before. Nevermind.
  • Helix - I think I got it now. When a show makes an effort to really suck ass, they renew it. It's like an executive learned behaviour to promote ass sucking. Renewed for a second season, Helix is the poster child of bad movie making.
  • House of Cards - It's good that I had to write this review, because it reminded me to watch the second season. Still haven't done it, though, which indicates either a problem with me or with the show. Probably me. Again, Kevin Spacey can't go wrong.
  • Intelligence - Amazingly enough, a show that I sort of enjoyed, without liking it too much, was cancelled. Very *intelligent* move...
  • Ressurection - I really tried to make myself watch this show, but I just procrastinated for a really long time. It says something about my feelings for this show. I was really waiting for the second season of the French one and the American remake doesn't do it for me.
  • Star Crossed - Teenage sci fi show about alien romance? Really beautiful actors, incredibly stupid script and acting. I just can't believe it was cancelled. It ruins my theory, because it trully sucked ass.
  • The 100 - The show started really well, predictably degenerated in artificial drama that had no place in the series, while going soft on the problems that someone would meet in that exact situation. Suddenly 100 teenagers from space have a functional colony, fight "grounders" for no good reason and keep alternating between screwing, screwing over and screwing up. Typical teenager, one might say, but their parents on "The Ark" are even worse. The show was renewed for a second season. The season finale, though, didn't give me much hope. They added two (and a half, one might say) human factions to the mix in just the one episode
  • The After - The pilot got positive reviews to they ordered it to series. I am not holding my breath.
  • The Americans - I liked the second season, although the arch with the American mole that turns homicidal and discovers the entire KGB operation by himself was really ridiculous. It was a nice touch about the murder of the KGB agents, also what happened to Nina and the reactions of the people. However the Moscow verdict makes no sense.
  • The Red Road - Ah, maybe exceptions just confirm a rule. Another crappy show that gets renewed for a second season.
  • True Detective - The first season was great, so there will be new seasons. New actors and new stories, though, for each season.
  • Vikings - Politics keep interfering with nice raiding and pillaging. That is the moment in history when things started going downwards and global warming started. True fact!
  • Suits - The fourth season just started. They try to keep it exciting, but the feel is gone.
  • Continuum - The third season went all over the place. The season finale has Cameron cooling it off with a new boyfriend from (yet) another timeline, then another mysterious traveler from a very far future that seems to have started the Freelancer cult, Liber8 split off after realizing they do more harm than good (while each character in the group starts to get a "nice" shine on them) and finally the Freelancers getting mowed down. But then, they never really die, do they?
  • Crisis - For me the scene when a stupid kid sees Francis killing a kid and then tells all of the others that the kidnappers made him do it has done it for me! Oh, or the one when he forces a Chinese spy to unleash a virus that effectively destroys the Internet in order to gain time. Where do you get this idiocy from? BTW, it was cancelled.
  • Da Vinci's Demons - Enemies get together, they eventually run into Mayas on America and, of course, traces of DaVinci's parents, then they return just in time to stave off the invasion of Italy by the Turkish navy which just appeared out of nowhere. Not only will this be renewed, but it won prizes! It is a guilty pleasure that I like it, most of the time, I have to admit.
  • Turn - Interesting show. It lacks something, probably sympathetic characters. I really don't see myself liking any of them, including the generously bosomed women who have casual sex all the time. That is saying something.
  • The Crimson Field - Was it cancelled because it featured female main characters? Or because it was well acted? I just don't know.
  • Silicon Valley - Elon Musk accused the show of showing the wrong weirdness of Silicon Valley. I don't know how things are there, but to me it feels like he probably is right. A lot of crap about sex, race, manhood, geekiness seen as emasculating, random genius, etc. For me the scene when in one night the guy develops what his entire team failed to in five months has done it for me. I like parts of the show, but I don't think I liked the show overall.
  • Bad Teacher - I could stand literally 2 minutes of it. Then I stopped and deleted everything. It is the type of ha ha ha sitcom that brings nothing.
  • Black Box - A movie about a brilliant woman psychiatrist. Of course she is very sexually active, a bit insane and a sexy redhead. It's basically Doctor House meets Unforgettable. I bet it will be cancelled because she is a crazy broad and only male characters are allowed to be brilliant. Plus she is annoying. Nice ass, though.
  • Californication - The seventh season will be the last, thank you! They butchered a lovely idea that was fantastic in the first two seasons and let it die in agony for the last five, blood and guts pouring out of it until nothing but a boring husk remained. Duchovny was my god at the beginning of the show.
  • Deadbeat - comedy about a deadbeat seeing ghosts and solving their problems. I actually commented on Imdb (I usually don't for TV series) to warn people off it. It is offensively boring and formulaic and completely not funny.
  • Dracula - It was a weird reinvention of Dracula, but one that I kind of liked. Guess what! They cancelled it! Perhaps the trick is to not like anything that I like and like everything that I dislike. In this way they will renew the shows that I hate to love, rather than the ones that I love to hate. Yes, that's a good plan.
  • Game of Thrones - Thank God for Peter Dinklage! One realizes how tedious the books are when they watch this well done series that compresses whole books in half a day of video and you still feel nothing happens. And then someone dies and the episode ends.
  • Halt and Catch Fire - Imagine Mad Men, but with a real psychopath as the main character, the field changed from advertising to personal computer manufacturing and a clone of Angelina Jolie's persona from the movie Hackers as the "tech genius". So, in other words, with more Mad, and less Men. I really dislike the main character and I don't see where this is going. Hardware is not glamorous, software is! *cough* *cough*
  • In the Flesh - I really liked the first season, but I waited to see episodes from the new one as well. Somehow I can't bring myself to start watching it again. I will, though, soon.
  • Penny Dreadful - Ok, it is a horror series that mixes in all the Victorian themes like Jack the Ripper, vampires, werewolves, tuberculosis, Frankenstein, Dorian Gray, etc. But it's well done and it has a nice cast: Eva Green, Timothy Dalton, Billie Piper, Josh Hartnett and others.
  • Prey - John Simm is a detective in this British drama, and he is framed for the murder of his wife and son by a mysterious man. He is a... fugitive from the law trying to solve his own case. Kind of bland and hard to believe in this day and age. The Fugitive was much more credible because not only movies were silly at that time, but also most people. Now we have evolved quite a lot *cough* *I should stop with these asterisks everywhere* *cough*
  • Quirke - Gabriel Byrne is the lead in this British miniseries, playing a doctor that somehow is connected to everyone in the city and where the problems usually stem from one member of his extended family or another. Feels like In Treatment set in the past and in which Byrne is both doctor and patient. I think it could have been more. As such, it's a little bit annoying and slow.
  • Salem - It is still the season of the witch. Salem is a new show, but I haven't started watching it. The premise seemed a little bit forced.
  • The Wil Wheaton Project - Wesley from Star Trek is hosting a show that is not a TV series. It is a humorous take on the latest sci-fi news. You might not know it, but Wheaton is very active online in all kind of geeky indie shows, together with his friend Felicia Day (The Guild). I found it a little too satirical, but I liked it.
  • Under the Dome - the boring and annoying show has been renewed for a second season that will air at the end of the month.
  • Crossbones - Pirates! Again! This time starring John Malkovich. Haven't started watching yet.
  • Fargo - Based on a Coen brothers movie with the same name, it stars Billy Bob Thornton and has the brothers as executive producers. Haven't started watching yet.
  • From There to Here - British drama covering life from the Manchester bombing up to 2000. Haven't started watching yet.

That's about it so far.

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I think you have heard of Elon Musk by now. If you haven't, confess and pray to the Church of Musk for forgiveness. Jokes aside, the guy is scarily awesome, so much, in fact, that I think he forgot how to fail, which is dangerous. His ideas, though, eerily mirror some of my own (he probably gets them from me, hmm). This post is about Musk's decision to publicize their Tesla patents and allow anyone to use the technology "in good faith". And I will argue that this is a kind of patent revolt which is just as significant as blogging.

A while ago I had these weird ideas and a lot of extra energy. It occurred to me that if I would invent some cool algorithm or think of a disruptively ingenious device I could patent it and make some money. As you know, I am not much of an entrepreneur (in fact, I am probably the antithesis of that) and so I asked some people how this patent thing works. I was amazed to learn of the huge amount of money required to file, the lack of security against rich competitors who would really want to take your idea without paying and so on and so on. I was more than amazed, I was angry. As I saw it, the system was created so only people having rich investors on their side could even begin to patent something. Otherwise, if you just want to claim the ownership of an idea, you have to pay a lot of money before you even begin planning to use your idea to make them. Banks would win. Again. Poor and brilliant scientists and technicians would lose. Again.

But then I heard about this principle that if I have an idea and publish it somewhere, I can't patent it anymore. The trick is that no one else can, either. Practically, whenever I have an idea, if I put it on my blog I ensure people will be able to use it without it being patented by some asshole. They can still change it into something else and patent that, but they can never stop you using the idea in the form that was published. So I do that whenever I can. Not that I have so many patent worthy ideas, but if I think something is useful enough, I put it out there to spite a system that was corrupted in order for capital rich organizations to be able to hold control over new ideas.

Enter Elon Musk. He just took a lot of the technological effort that he invested in for Tesla and made it public. It's not completely free, it's still their patent, but they pledge to leave you alone if you use it in a reasonable way. Of course, there is a catch, Musk is investing heavily in electric car battery manufacturing, so it is still in his best interest for other people to start building electric cars. But I honestly think he is finding solutions that benefit the world and also increase his options, instead of the other way around. Do you see the similarity in the idea, though? Instead of expecting lawmakers to reform patent law, you just circumvent the whole system by making your idea publicly available. It helps to previously invest in support systems for that tech, too. It's a deceptively simple idea, the equivalent of inventing steam engine, letting everybody know how to make one, while previously investing in coal.

In software development, you can sort of do that same thing. First of all, have an awesome idea, implement it, make it freely available for use and publish it in your blog. This seems like a very altruistic thing to do, maybe even naive, but think about your life afterwards. People will know your name, employers would separate you from the crowd of wannabe programmers. In a weird way, it is the equivalent of branding yourself, that personal marketing skill that most technicians lack completely, but translated in code. A form of "pay it forward", perhaps. The reason why this works is that the cost of sharing information is practically zero nowadays, while the information itself is generating informational capital linked to your person as the inventor. And in turn, this fame, the kudos, is translated into trust which turns into credit because "you are good for it". I still don't have it clear in my head, but I feel the system changing from the cash printed by governments, essentially IOUs for that government from the public, to a more diverse offer. It would still be credit, but based on idea capital, not gold in banks. Worth a thought.

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So I have to leave Italy and go to Belgium for some business. I would make the trip with my colleagues so, imagining they know better how to fly from Italy, since they live here, I ask them to search for the flight. They do that and they send me this link to a site called VolaGratis ("fly for free" would be the translation). This is actually an Italian web site for BravoFly, an Italian flight search aggregator. I find my flight, it says 89EUR a two way flight, which was OK. The site is in Italian, though, so I choose English, it takes me to the BravoFly site, I select the same flight: 105EUR. I'll be damned! So I use the Italian site. I also check the special needs box and write down "Long Legs", expecting them to book me one of those extra legroom places. Now it gets interesting.

The payment section held a big message telling me how great it is that I use Mastercard, so they can give me a big discount. I don't use Mastercard, though, so I select VISA. Suddenly the price jumps from 89 to 125EUR. Well, that probably explained why there was a difference between the Italian and international site. So I proceed. In about half an hour I receive a call from a weirdly formatted Italian number: +39 followed by only 6 digits. I answer in English. There is a long pause, then (in English) I hear the question "Do you speak French?", I reply that I don't, the voice asks a quivering "Do you speak Italian?" (also in English) I also reply no, but I ask her to wait and I pass my phone to an Italian colleague. The operator has closed the connection by then, probably couldn't wait for more than 2 seconds without asking an inane question. A minute later I receive an SMS - in Italian, of course - that I couldn't be contacted and that I should call them back. All nice and all, only their phone numbers are all paid numbers, I have to pay 6EUR per call, give them my credit card details, etc. Or I can call the Italian paid number (six digits) and pay 1.8EUR per minute. Funny enough, I could not call the Italian number from the land line, since it was a paid one, nor from my friend's phone, also because it was locked for paid lines, nor could I call the international number from any Italian phone, as there was an automated voice telling me to call the other number. I wrote them a scalding email, awaiting a reply. I got a phone call at 8 PM which clicked two times and closed after two seconds, but no other reply.

So I was forced to call them using my Romanian number, in roaming in Italy, calling the paid "international" Italian number. And that is because their site could only show my bookings, but would not allow me to cancel one, so in fact they were holding my credit card details hostage. In order to cancel any booking with BravoFly I had to - yeah, you guessed it - call them. Meanwhile I was stuck not knowing if they will book the flight or not. After speaking with an operator speaking English with a thick Italian accent, one who barely mumbled anything she said and then acted annoyed that I ask her to speak louder, I realize that the whole thing was caused by my ticking the special request box and asking for the legroom. I needed to pay extra for that, of course. I said OK, waited for five minutes, nothing happened. I hung up the phone. Got called back in 5 minutes that my booking could not be confirmed. They might just as well have said "Thank you for the money and time you spent trying to make us do what we advertised we do, but we can't, so fuck you!". And I wouldn't have minded as much, since that could have been a nice email message and I wouldn't have had to get this angry.

The ending of the story is me getting to the EasyJet site directly, getting the ticket (with the extra legroom) for about 40EUR less than the one from VolaGratis, all in one nice and clear web interface. Perhaps Vola Gratis in the name of the site is all about them getting to fly for free with the money they extort from you. Don't ever use the BravoFly site or any of their differently named clones. From the way I was treated, I can only assume it is basically a scam, their purpose being only to steal from you.

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Some time ago I started playing chess, got a trainer, played with my colleagues and friends. I felt a passion for the game that I have no idea from where it came and, just as suddenly as it appeared, it vanished. For more than a year I have not even looked at chess videos. I can't say when I would start playing again, not even if I ever would. And it's not because I am not really good at the game :), it is just a matter of random passion.

Passion is probably what made the creators of Lichess create the server. It is a chess site with a very clean interface, a lot of options, even a REST API (that's a programming thing, don't worry about it). Most of all, the site is completely free, no ads, no nags and a mission statement that ensures that the game will remain thus forever. Open source, with a lot of help from the community, Lichess shows a passion for both software development and chess. If I will ever start playing again, it will probably be because of people like these. Thanks, guys!

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I accidentally heard of the Wild Cards books a few weeks ago, but the concept fascinated me. The plot is that of an alternate America in which an alien virus caused massive deaths, but also strange mutations in 1946. The virus, something a bunch of aliens wanted to test on Earth as a bioweapon, kills 90% of its victims, mutates in horrible forms 9% of them, but also gives powerful abilities to but 1%. This 1% are called Aces, while the deformed ones are called Jokers, the analogy with a deck of cards giving the series its name. What is even more interesting is that this is like an open source literary universe, edited by George R. R. Martin, but in which a lot of writers are creating content. First book was published in 1987, and more and more were published and still are in the present. Some of them are collections of stories, some of them are full featured books; they all happen in the same universe, same heroes, and Martin is making sure they are ordered chronologically and have consistency. I found the concept intriguing.

Anyway, I've already read the first two books and started reading the third and I like it. It has the feeling of the Union Dues stories and Watchmen: dark, bleak sometimes, pulling no punches when it is about human pettiness, base desires or social ugliness. It also has some positive messages and classic "good wins in the end" stories. I was impressed by the faithful following of American history, including savage McCarthy witch hunts against jokers and aces, a Vietnam war with the appropriate Flower Power anticulture, complete with actual historical figures that somehow get affected by the virus (like the werewolf Mick Jagger).

Now I am not saying that this is the best book series ever written. It certainly has boring or lagging parts, some of it is slightly puerile (after all it is a superhero series), but so far I enjoy it. It is worth mentioning that there are 12 books published by Bantam Books before a "new cycle" appears, published by Baen, then two from ibooks - a publishing house that suddenly went down - and now Tor Books is apparently publishing the rest (a revival, it is called). 21 books so far and another one set to be released this year. In other words, some books may be better than others and I can only discuss my feelings after reading the first two.

In conclusion, it felt weird to not have heard of these books until now. Certainly they gained more popularity with Game of Thrones getting all this attention, but still, an alternate history superhero series of more than 20 books should have had some impact on me so far. I am glad I finally got wind of them and I enjoy them so far. I hope I find a system of filtering the books, though. I don't know if I am ready to read 20 books at once.

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  A Fire Upon the Deep is a really strange book. The writing style of the author, Vernon Vinge, reminds me a lot of Asimov: the describing of scenes that are clear in his head, but the willingness to move immediately over concepts or ideas that are not, the sometimes obnoxiously long dialogues, the direct way of saying it as it is. In fact, without knowing anything about Vinge, I bet that he is an engineer, maybe even a computer scientist. And I won. The concepts of the book range from high hard sci-fi to naive depictions of kilobyte per second communication. So, in all earnest, I thought the book was amateurish, meanwhile reading it from cover to cover in a few days, just like one of Asimov's books. Still, for a book written in 1992, it felt terribly outdated.

  The plot is a combination of story arches. The main one is the emergence of an evil artificial intelligence that plans to take over the galaxy and the quest to retrieve the ultimate weapon that would defeat it. Then there is the story of a medieval alien race of rat-wolf analogues that think in packs, making an individual from several bodies acting together. And finally there is the internal dynamic of the group that embarks in this quest of quests. Some interesting ideas are being thrown around, but almost always with terrible naivete, such as the Internet Relay Chat type of communications between interstellar civilisations or the distinction of several Zones of the galaxy in which technology and space travel can work at various speeds. The alien creatures, in their vast majority, are badly described with embarrassing slip-ups like using the word "zombie" or some other typical human colloquialisms in an alien context, however some ideas are ingenious. I will list here the way the "tines" use ultrasonics to group think and act like singular entities, while being able to use sound for "interpack" communication. The way a soul of such a creature is affected by the death, addition, injury or indeed torture of one of the individual bodies is also explored, with various degrees of success. The creation or manipulation of an entire race of people in order to further the goals of a "godly" intelligence is also an interesting twist.

To sum it all up, from the three main story arches, the pack intelligence aliens one was the most thorough, while the one relating to AI and space travel and communication was the least. Amazing coming from a computer scientist. In fact, I would have liked the book more if its sole subject was about the accidental marooning of two children on a starship in the middle of a strange alien feudal world. The rest felt clunky and frankly completely ridiculous in most cases. I still read it with interest, although I don't intend to read anything else from Vinge.

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Time for another TV series watch list. Let's see what has changed in the last four months!



  • The Good Wife - This is a show that I watch with my wife, so I had to wait for her to watch it with me, but, after a short break, The Good Wife is back again. Pardon the pun, couldn't help myself. Towards the end of the season we see a very important character die off. I don't want to spoil it, but it is interesting to see how it will continue from here.
  • The Walking Dead - The new formula of the show is that, after running from the other group of humans and a lot of zombies, the group has split. So each episode we see what stupid people do when they are all alone. Well, stupid things, of course. They did go for the shock value with one of the characters going all psychotic and killing another, but it is still stupid. How can they maintain the idea of the zombie threat, when they are just slow, moaning corpses, that walk in small groups? What happened with the migrating hordes? The end of the season finds everyone reunited, but facing another threat.
  • Arrow - Manu Bennet's character comes to the foreground, as well as a lot of others, that are less interesting. I really like Manu Bennet, but his character lacks consistency.
  • Elementary - After defeating Moriarty and making a complete ass out of inspector Lestrade and after they showed the human side of Sherlock, it's kind of hard to distinguish Elementary from all the other police procedurals out there. They are trying to let Lucy Liu's character get more of the spotlight, which goes to further erode the mythos that makes Sherlock... well, Sherlock! A mysterious story arch regarding his brother seems to be looming, too, which probably means that when we will see Sherlock's dad appear, we will know the show is close to an end.
  • The Tomorrow People (2013) - after a direct confrontation between the main character and his evil uncle, right after finding out his mother also has superpowers, we get to see The Founder in a different light, only for him to suddenly assert control and play the nice guy. A lot of melodrama in this show about people with superpowers who can't seem to be able to leave their country and live happily in a tropical island somewhere.
  • The Originals - Out of boredom I continue to watch this on fast forward. Petty feudal schemes and plots, brotherly love and infighting, a lot of posturing. Each episode has about 5 minutes of interesting material, if you discount the beautiful girls, and that is what I am watching.
  • Marvel's agents of S.H.I.E.L.D. - They finally find the secret of agent Coulson's survival and start a new arch of searching for the origin of the alien corpse with magical blood. Meanwhile, they save Sky by using the same procedure. I can't wait for her to turn blue or something. The Hydra enters the equation and we find the identity of The Clairvoyant, while a member of the team is suddenly revealed to be a sleeper agent.
  • Killer Women - Last blog entry I wrote about this suggested the show would quickly be cancelled, because Hollywood doesn't know how to make non pornographic shows around female characters. I also think the public (especially in the US) doesn't really like women in positions of power in their fantasies. I was right. The show is gone.
  • Ripper Street - The show might still have a chance. According to news, the series might be continued on Amazon.
  • Sherlock - I don't really know what this show is about anymore. Sherlock is unhinged, probably psychotic, his friend has some real issues being friends with this guy and Sherlock's brother is probably the worse of them all, including Moriarty. Who, BTW, didn't die either.
  • Babylon - A new British series, codirected and produced by Danny Boyle, about a woman PR person trying to direct and improve communication from the police department to the public. The premise is not that great, but I really like the main actress, Brit Marling, and the show could become a lot more.
  • Banshee - A new season with a lot of people dying. Lots! The show continues to keep one viscerally on the edge, even if what happens doesn't make a lot of sense. It's like the Smells Like Teen Spirit of TV shows. I love it, I just don't know why. Funny enough, my father, the man who is always making fun of my choice of entertainment, also likes it!
  • Bitten - The incredibly beautiful Laura Vandervoort is a werewolf. Unfortunately, she is not the only one. She is part of a pack of pompous asses who are being harassed by a pack of psychopath werewolves. I mean that literally: someone turns psychopaths into werewolves in order to exact their revenge on said pack. The series is incredibly boring. Not even Laura's naked shots can't save this show. Wooden acting, bad premise, inconsistencies at every step. Ugh!
  • Black Sails - It's pirate season! A show about pirates that has some very interesting characters and some cool ideas, not with cliched drunkards spouting "Arghh" every sentence. Unfortunately it really drags on. It might pick up the pace soon, though. Without the need for additional artificial drama, hopefully.
  • Dilbert - I watched the Dilbert animated cartoons until I couldn't anymore. Some episodes are really funny, but I don't think the show makes justice to the comic strip. But if you are an engineer in some corporation, it should be very therapeutic :)
  • Fat Tony and Co - An Australian drama about a real drug lord that the police tried to catch. It is kind of boring, though. The guy is just a businessman who happens to deal in drugs. Other than that he is a normal bloke. His family and mates are the same. The police people are normal people, too. It kind of makes them all alike and their conflict meaningless.
  • Flemming, the Man Who Would Be Bond - A four episode British miniseries about the life of Ian Flemming, the writer of the James Bond books. Charismatic characters and a good show. You should see it, especially if you liked the James Bond books and/or movies.
  • From Dusk Till Dawn - Yes! The series version of the film with the same name has finally come to life. A vampiric cult of people believing in strange gods, bank robbers on the run, a disillusioned priest on a journey of rediscovery with his annoying adolescent kids, an angry ranger set on revenge, there are a lot of interesting characters. The story, though, kind of drags on, with no relief in sight. This might have worked for a movie, but for a series, you have to give something in every episode, you can't just finalize every story arch at the end of a season
  • Helix - Oh, man! How can you make a show about viral outbreaks in an Antarctic station and mess it up so completely?! To borrow a page from the Romanian comic Pidjin, I think SyFy are hard at work making science-fiction fiction. I can't think of anything good about this show, except the Japanese actor, Hiroyuki Sanada, who is always good, but who I think made a horrible career move agreeing to play in this shit.
  • Hinterland - Welsh police procedural. Dark, centered around small communities and their secrets. A kind of desolate cross between Midsommer Murders and Broadchurch. I like it.
  • House of Cards - Season 2 is out. Haven't watched it yet, as this is also a show that I watch with my wife, but I can't imagine Kevin Spacey messing up.
  • Intelligence - Another US government agency is saving the world. This time is Cyber Command. They implanted a chip in the head of the only guy from Lost who wasn't too annoying and now he can hack things instantly, connect to databases, etc., while also keeping his Special Forces skills and macho charm. I like the show, even if it is kind of stupid, mostly because of the charisma of the main actor, Josh Holloway, and that of John Billingsley, who plays the scientist. The condescending bitch that is the partner and protector of the headchip guy, a good looking girl who acts like a log, is subtracting points out of it all, no matter how tight her pants are.
  • Looking - A show about gay men who was touted as being not stereotypical and actually showing real gay life. I watched the first episode and, if that is real gay life then it is really... errr.. gay! As in boring. Imagine trying to be interested in Sex in the City starring hairy men. Ugh! Also, it looked really filled with gay clichees to me. But maybe I just don't know what I am talking about. I didn't like the show at all.
  • Ressurection - Remember when I recommended you a nice French series about dead people suddenly appearing live and well in their hometown? The Americans cloned Les Revenants into their own version. The script is not exactly the same, though, it's a real adaptation. All I can say is that what made me feel curious and connected to the characters in Les Revenants is missing in Ressurection. And why did they have to center it all around an FBI agent? Not enough cop shows? It may be too early to tell if the show is going to get better or not, so I will keep the watch.
  • Star Crossed - Oooh, another sci-fi show! This one is about an alien race that crashlands on Earth and we decide to keep them all in a concentration camp while haters roam free and try to kill them. Then an integration program is born, where Atrian teenagers are accepted into a human high school. Then it turns into a sort of Twilight meets Defiance via the Black liberation movement. It's not horrible, but it is certainly bad.
  • The 100 - Yet another sci-fi show about adolescents. But this one started nice enough. People live in a giant space station because they nuked the Earth. The series starts with 100 teenager death row convicts sent to the planet to ascertain if it is survivable. Lord of the Flies meets Elysium, maybe? The first episodes are intriguing, even if they already showed crass leaps in logic. I hope this one will be good, although I remember hoping the same about Lost and look how it turned out.
  • The After - And another sci-fi. Or so I thought. Something bad happens and some people get trapped in a building parking. They manage to escape and reach the house of one of them. Then it gets freaky when they realize they are all born on the seven of March and meet a demon like creature with a tatooed body that encompasses the individual tattoos of all of the people in the group. Also the prostitute said something about the book of Revelations, so I think it is actually a bad religious apocalypse show. Let's see where it goes.
  • The Assets - I first thought it was an alternative to The Americans, a show about the CIA agent Aldrich Ames, who willingly became a double agent for the KGB. The show was nice, no special effects, no artificial drama, but from the beginning it didn't seem like the TV network wanted the show to begin with. After just two episodes they cancelled it. I can't say I loved it, but it was certainly better than a lot of crap that keeps sticking to the TV screens these days.
  • The Americans - The second season had begun. I like the show a lot. Both main characters are fantastic in their roles and make it all believable. Their annoying daughter started to suspect things and someone just killed some undercover KGB agents and no one knows who. Keri Russell does a very good job jumping from Felicity to KGB agent, while Matthew Rhys comes out very well as a chameleon capable of impersonating just about anyone.
  • The Musketeers - You can't have pirates and not have musketeers. Loosely based on the Dumas books, this is a show about D'Artagnan being the coolest guy that ever lived and everybody taking an interest in him. Peter Capaldi is cardinal Richelieu. Strange choice, considering he is also Doctor Who, but very befitting the role. The show is not bad, but it feels so incredibly fake. I hope it will get better soon.
  • The Red Road - Jason Momoa plays in this as a bad ass native American who blackmails a cop in order to maintain his drug running operation. He plays well the role, looking all angry and violent and remorseless, but the movie subject is terribly boring. It feels like the type of show that gets cancelled and I personally have decided not to watch it anymore.
  • True Detective - An HBO project that features Woody Harrelson and Matthew McConaughey as cops in a God forsaken region of the US where religious fanatics and child rapists (sometimes the same person) roam free. Complex characters, eight episode seasons, very good acting and an interesting story make this one of the best shows around. It's not all rosy, though. In the first season more than three quarters was suspense and exposition. You always feel something will be going on, but it takes entire episodes before something does. It will be interesting to see if they continue with other seasons and, if they do, will they retain the same actors. The story arch has pretty much ended with the last episode of the first season.
  • Vikings - Season 2 has begun. Political intrigue, a new wife, backstabbing and a king of Britain who doesn't run with his tail between his legs at the sight of vikings. This season certainly keeps things interesting.
  • Suits - The series has never been about the law, not really, but about ritual. It was fun for a while, but every ritual, no matter how bizarre or exaggerated for dramatic purposes, can maintain outside interest only for so long. And the few law related references that made it interesting to me now are almost gone, together with the cowboyish feel of the show that made it seem less serious and more fun. Perhaps because all male characters in the series got hitched and their wings properly clipped off.
  • Continuum - Weird new direction of the third season of the series, with collapsing timelines, people meeting themselves and "the freelancers" being a cult like do gooder agency that protects time. I don't know yet if I like it, but it feels more confusing and less fun and sci-fi.
  • Crisis - A bunch of rich kids, including the son of the US president, are taken hostage by a shadowy mastermind who has thought of all possible outcomes before long before the actual execution and then uses the parents to achieve his goals, including more kidnapping of kids, I guess. Then there is this ex-cop Secret Service rookie black man who is set on finding the kids. So it's a kind of Die Hard, if you think about it. However the shadowy mastermind seems to have some moral agenda, revealing the evils of CIA, while the poor investigative agents are torn between their duty, their sympathy for the kids and their parents and the incredible stupid decisions people take in the name of their kids. I know Americans have this cult of parenthood and the need to do anything for your children, but too much is too much!
  • Da Vinci's Demons - The Pazzi's are trying to wrestle control of Florence from the Medici's, with Rome's involvement. That leads to some deaths, rearranging of loyalties and now both Da Vinci and Reario are heading towards the Americas on different ships, using a map of the location, only 40 years before Columbus blindly went to find the continent and with the help of none other than Amerigo Vespucci, who wasn't born yet. Nor was Da Vinci's friend, Nicolo Machiavelli, for that matter. Confusing? Only if you try to align the series with history.
  • Turn - This is a show about the first American spy ring, during the Revolutionary War. The first episode was rather slow, but it needed to set up the story and it showed good production values. Due to the actual nationality of the first Americans, most of the actors are British or Scottish, even if it is an AMC series. British acting with American money sounds good to me.
  • The Crimson Field - A six episode British miniseries about nurses in the war. The main action happens in a field hospital where four new volunteer nurses came to help out. It seems pretty decent and I already eagerly await the second episode.
  • Silicon Valley - An American sitcom about Silicon Valley, created by Mike Judge. Six programmers live in the same house when one of them invents an ingenious algorithm. Being an HBO series, with only eight episodes in the first season and created by Judge, I have high expectations from it.

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The title of Altered Carbon refers to flesh, human flesh in particular. Richard Morgan describes a world in which people record their experiences while they live, then get transferred to other bodies when their own die or if they need to go to another planet or if they are rich enough to want a different experience or alternate bodies just for the sake of it. The alteration of the normal relationship between consciousness and physical existence is the backdrop of the book.

The good part about this cyberpunkish story is that it is personal enough and simple enough to read in one gulp. I did that, always wondering what was going to happen next and excited enough to not get distracted by something else. The bad part is that most of the props are used only to further the story and are never explored in depth. The way people are always so easily "re-sleeved" into another body and yet almost never walk with different bodies at the same time, the way "Meths" - rich people that are practically immortal, having cloned bodies waiting in case anything happens - have all this influence, but in the end fear laws and have a conscience and human failings, just as if they didn't live for centuries, and so on. I could have gotten over that more easily if all these rules would not have been waived aside whenever the main character needed them waived.

The plot is that of a detective story set in the future. A former Envoy - soldiers trained to easily switch bodies and move from planet to planet to preserve The Protectorate - is sleeved back on Earth to investigate the suspicious body-death of a rich and influential man - a Meth. During this mission, he lives dangerously, gets people to try to kill or manipulate him, women to fall for him - quite a lot actually - and in the end solves it all. So in a way, it's an interstellar James Bond.

Some of the elements in the story are haphazardly thrown around and never explained or having any connection to the main plot, like an apparent discovery of Martians, also an interstellar civilization, long gone for reasons unknown and remembered through racial memory only by whales. It was a silly proposition and pointlessly left in the book, but for me it served to show that the writer is not perfect and, even if his first book is not perfect either, it still was a nice enough read for me to do it in one swoop. Morgan has written another two books with the same character, Takeshi Kovacs, and in the other two the Martian motif is truly explored. I may end up reading them.

In conclusion, Altered Carbon is more pulp fiction than cyberpunk, with a strong backbone of detective story with a moral and a thin body of future world, disruptive technology and exploratory writing. Even if it felt naive at times, it was a pleasant read and I don't regret wasting a Saturday finishing it.

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The Windup Girl, acclaimed by many as a very good book, shows a Thailand that Paolo Bacigalupi declares as "a future version", but given scientific realities I would call it an alternate world Thailand. Wikipedia calls the book "biopunk", although I wouldn't quite call it that way, either, as the bio bits in the book didn't feel absolutely necessary to the story; more of an eco-thriller, perhaps. The book takes place in a nation that is fighting the encroaching ocean, in a time where global warming is rampant and sea levels have risen. Also, there is no more oil, no real use of electricity or combustion and everything revolves around genetics. Large elephant derivations are used to generate power; "kink-springs", a sort of mechanical energy battery, are powering just about everything; cats have been engineered to color shift to blend into their environment; human derivatives have been created, sterile, but beautiful and always healthy, slaves for things varying from military use to sex toys. But the most important element of this strange world is the overwhelming power of genetic companies. The same ones who created successful and copyrighted versions of food crops, they also released horrible diseases onto the world, making their products the only viable alternative and creating a depopulation incident.

In the book, Thailand is one of the last countries to resist the "calorie companies" through a combination of cultural and religious fanaticism, but also with the help of a hidden seed bank and a defecting company geneticist. The country is rife with political and economical tension and the main characters of the book are all caught up in this large game. You have the artificially created girl who was left behind by the Japanese and now is a sex toy to be abused every day for the pleasure of others, the AgriGen company man, his only purpose to get his hands on the seed bank, the Chinese refugee from Malaysia, where the brown skinned Muslims took over the country by ethnically cleansing anybody else, the different Thai factions and their agents, all playing the field amongst the "innocent" population of Bangkok.

The thing is that the book is not really about the "windup" genetically engineered girl, but about this world that Bacigalupi is describing. The girl herself has a pivotal role in all of this, but she is merely a secondary actor. I feel like the author wanted to give this impression of all the characters of the book, that they are transient, unimportant, even the human race as a whole, even when they are the driving force of the events around them. A very Asian perspective from a European, I guess. The writing style is good and fluent and I rarely got bored, even when the events described were not terribly exciting. The plot focuses almost exclusively on people, with the technical or logistical aspects thrown in there as afterthought. I think this is what makes the book a good one, because any inconsistency with our own world can be easily dismissed, at least for lack of evidence.

Bottom line, The Windup Girl is a very nice book, well written by Paolo Bacigalupi to describe an alternate future version of Thailand. The fantastical elements of the book are there mostly for support of the story, which in its essence is not really science fiction. One could easily imagine the same plot in a real world country, maybe modern Thailand itself. But, if you are going to write a philosophical commentary about human society and our place in the world, why not place it in an imaginary universe, as well?

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I met a few friends for a drink and they recommended to me (or rather seemed amazed that I had not heard of it) Dragonlance. I looked it up and, to my chagrin, found that it is a huge series with over 20 books and a lot of short stories - actually, in 2008 there where over 190 novels in the same universe. Resigned myself to read them all, I googled for the right order in which to read the saga and came up with Chronicles, which is a trilogy of books, as the correct starting point.

As in the story, there is balance between the good and the bad in my assessment of the books. For one, I will not read the rest of the books and waste a lot of my time, but for the other, I already start regretting reading the first three. You see, the entire plot seems to have the only purpose of supporting a canon of the classic fantasy genre that the writers have thought up.

Probably emerging from games of Dungeons and Dragons, like many fantasy universes, the world of Krynn has nothing remotely original. There are elves, humans, dwarves, goblins, dragons, pegasi, unicorns, centaurs, and other races like that. From the very first pages, you meet the heroes that form the quest party and they seem to have gathered all the possible cliches in the genre in their travels: the dwarf is old and grumpy and complains a lot, the half-elf is tortured by his double ancestry, the knight is rigid and honorable, the mage is tiny and frail and frustrated about it, his big (twin) brother is huge and completely non-magical, etc. In fact, the mage character is the only one which seems remotely interesting, all the other being busy posturing most of the time, like real size commercials for their D&D class and specialization.

But what I thought was the most offensive of all was the premise of the trilogy. Beware, here be dragons... and spoilers. Do not read further if you think you might want to read the books.

You see, the world has been reeling after a huge Cataclysm, a fiery mountain hitting the planet and causing havoc. At the end of the book we learn that the gods, in their infinite wisdom, did that because the world was too unbalanced towards good! And we learn this from the good god, who for the entire duration of the story just nudged our heroes in one direction or the other while the evil god was amassing armies and killing everybody. How is that for balance?

Even so, you can hardly complain about a book being cliché if you don't read more of the genre and, to be honest, except for a few books, I didn't really read much fantasy. So I had an opportunity to enjoy this, even if the writing was simplistic, the characterization almost non existent and the story bland. But there was something in the books that kept me at arms length from enjoying it. It finally dawned on me in the middle of the second book, when, after reading about the emotional turmoil of everybody, having the men pair with the women - unless they were there for comic relief, like the dwarf and the kender (which one could consider a pair, if I think about it) - and making chaste promises to one another (like not having sex until they can focus on the relationship and stuff like that)... after all that, I realized that Dragonlance was written by two women. (Even later I realized that one of the women was actually a man. Shame on me! The rest of the review stands)

I don't want to sound misogynistic here, I really wanted to read something cool written by women, but for a series entitled after a weapon - albeit something long and thin, with a thick bulbous appendage at the tip - the story was surprisingly devoid of any detailed battles, tactics, strategy or even decent brawls. The heroes are always running around, talking about their feelings or thinking about them and, in case there is a huge battle between the forces of good and evil, quickly skips forward to the conflict between the two women that love the same man.

Also, as if it all wasn't formulaic enough, no one really dies from the group, unless it is something that fulfills their purpose in life, while the support cast keeps perishing without anyone actually giving a damn. Check out the bit where an entire ship crew - including the woman captain and the minotaur second that I had read a lot about in previous pages - just die without the characters even remembering it. Or the battle of the knights with the dragon armies, where one phrase describes how the knights held, but half of them died. Just like that. I may have written more about that bit than there was written in the book.

To end this terrible rant, if you thought Wheel of Time was childish, as I did, this is worse. T'is true, the fair maiden that hath captured my heart and recommended the books hath read said scrolls of wisdom when she was 16, so that might explain her fond memories and my tortured journey towards the end of the story. I also really really wanted to believe that by writing more, the authors would become more skilled at it. It didn't seem to be the case. I refuse to read another dozen books just to keep the faith.

In conclusion, I cannot in good conscience recommend this to anyone, including children or young adults - to which I think the story would be tantamount to poison, teaching all the wrong lessons in the worst possible way. These books sucked lance!