The necessity and unavoidable evolution of satire
Have you ever heard the saying "imitation is the sincerest form of flattery"? It implies that one copying another values something in the other person. But often enough people just imitate what they want, they pick and choose, they imitate poorly or bastardize that which they imitate. You may imitate the strategy a hated opponent uses against you or make a TV series after books that you have never actually read. I am here to argue that satire cannot be misused like that.
Remember when Star Trek: Lower Decks first appeared? The high speed spoken, meme driven, filled with self deprecating jokes, having characters typical to coastal cities of the United States and, worse of all, something that made fun of Star Trek? After having idiots like J. J. Abrams completely muddle the spirit of Trek, now come these coffee drinking groomed beard bun haired hipsters to destroy what little holliness is left! People were furious! In fact, I remember some being rather adamant that The Orville is an unacceptable heresy on Star Trek.
Yet something happened. Not immediately, it took a few episodes, sometimes a season, for the obvious jokes to be made, the frustrations exhausted, for characters to grow. And then there is was: true Star Trek, with funny characters following the spirit of the original concept. No explosions, no angry greedy violent people imposing their culture over the entire universe, but rather explorers of the unknown, open to change and new experiences, navigating their own flaws as humans in a universe larger than comprehension. And also honest and funny!
It was the unavoidable effect of examining something thoroughly for a longer period of time. One has to understand what they satirize in order to make it good. Not just skim the base ideas, not just reading the summaries of others. Satire must go deep into the core of things, the causes not just the effects, the expressions, the patterns, the in-jokes. Even when you are trying to mock something you hate, like a different ideology or political and religious belief, you can only do it for a really short time or become really bad at what you are doing, a sad caricature to which people just as clueless as you are attempting to disguise anger by faking amusement. If you do it well and long enough, every satire makes you understand the other side.
Understanding something does not imply accepting it, but either accepting or truly fighting something requires understanding. You want a tool to fight divisiveness, this artificial polarization grouping people into deaf crowds shouting at each other? That's satire! The thing that would appeal to all sides, for very different reasons, yet providing them with a common field on which to achieve communication. If jokes can diffuse tension in an argument between two people, satire can do that between opposing groups.
And it works best with fiction, where you have to create characters and then keep them alive as they develop in the environment you have created, but not necessarily. I've watched comedians making political fun of "the other side" for seasons on end. They lost me every time when they stopped paying attention and turned joke to insult, examination to judgement. But before that, they were like a magnifying glass, both revealing and concentrating heat. At times, it was comedians who brought into rational discussion the most serious of news, while the news media was wallowing in political messaging and blind allegiance to one side or the other. When there is no real journalism to be found, when truth is hidden, polluted or discouraged, it is in jokes that we continue the conversation.
So keep it coming, the satire, the mocking, the ridicule. I want to see books like Harry Potter and the Methods of Rationality, shows like Big Mouth and The Orville and ST: Lower Decks, movies like Don't Look Up! Give me low budget parodies of Lovecraft and Tolkien and James Bond and Ghost Busters and Star Wars and I guarantee you than by the second season they will be either completely ignored by the audience and cancelled or better than the "official" shows, for humor requires a sharp wit and a clear view of what you're making fun of.
Open your eyes and, if you don't like what you see, make fun of it! Replace shouting with laughter, outrage with humor, indifference with amusement.
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