Plain Bad Heroines is a lesbian gothic book, as it features unexplainable horror and almost everyone in it is gay and female. Should I call it sapphic gothic? It has the benefit of scaring you twice as much if you're homophobic, I guess. The first thing you notice is how well the book is written. Emily M. Danforth is clearly a talented author and she must be praised for it. I continued to read the book until I finished it mostly because of how well it was written. However, while I am a fan of intermingling stories and self referential prose, most of these stories bored me to tears.

  It is possible, though, that I was not connected to the subtleties of the book, as I was frequently falling asleep while reading it and starting to read it again from a random point that seemed vaguely familiar. I mean, it is a book about the making of a movie that is based on a book, itself inspired by Capote's unfinished work, that researched the spooky happenings at an isolate manor which was being used as a girls only school in the 1900's and where said happenings were being associated with a book written by an outspoken bixsexual feminist who wrote a confessional memoir. And that's just the synopsis. It talks about life in the glamourous Los Angeles movie scene, about societal gossip and the history of Truman Capote, the more or less overt lesbianism accepted at the beginning of the 20th century in high class educational institutions, book writing, sexting and flirtation, life under the spotlight with crazed fans following your every move, witchcraft, even a nod to Lovecraft.

  The thing that bothered me about the storytelling was that most of these subjects were not interesting to me. They felt neither very personal nor technical. As a book inspired by two others, one a shockingly honest autobiography and the other a shockingly honest autopsy of high social circles, Plain Bad Heroines felt really subdued. The scenes that most elicited emotion out of me were neither the lesbian romance, nor the behind the movie scenes machinations, nor the old timey 1900 era rich manor life. It was the witchy curse scenes, which in the end had a very underwhelming explanation. It felt like a book about nothing, going in circles around the point that it was trying to reach, but never getting there. It was a rim job!

  Bottom line: probably more subtle that I understood it to be, it might be just the thing to read if you're gay or into the socialite L.A. life. To me it was difficult to finish and find an interest in.

So I wanted to use the button on my Android headset to control the audio of the application I was currently using: a book reader or a music player or something similar like that. And instead an annoying assistant was blinging annoyingly and impotently in my headphones, while my music was still on. It is not at all obvious what does that and how to stop it. And there are two assistants on my phone: Google Assistant and Bixby. Turns out you only need to care about one.

Here is what I tried and didn't work:

  • disable assistants
    • Bixby can't even be disabled
    • Google Assistant can be disabled, but by that it means it doesn't listen to your voice commands anymore, buttons are fair game
  • apps to change the action for the headset button
    • they either don't work right or can't work when the screen is locked
    • the "many apps" recommended by some articles are not even in the store anymore
    • they need full control permissions on your phone

So, here is what you need to do:

  1. have your headphones connected to your phone
  2. open Google application
  3. tap the three dot More button
  4. go to Settings
  5. select Google Assistant
  6. go to Devices (it's a section in blue on my phone)
  7. you should see Wired headphones (or maybe something else depending on your headset type) - tap it
  8. uncheck the option Get help from Google

That's it! You don't have to disable the assistant on your headphones, but your headphones in your assistant. And this is regardless of whether the assistant is "off" or "on". Now you can listen to your music and books in peace.

"But, what about Bixby?" you will ask. As far as I can see, Bixby is something that comes over Google Assistant. I did disable some stuff in it, but I doubt it was a problem to begin with.

  I have been working on this adventure computer game that is a tribute to the history of adventure stories. One important part of that history is what we call a gamebook, a printed work that allows the reader to choose one of several paths to complete the story. Because of very aggressive marketing and copyright tactics, this is now almost absorbed by the Choose Your Own Adventure brand and for sure Bantam Books (now Random House) would like us to think that they invented the concept. In fact, the man who sold the idea to them, Edward Packard, was not even born when two American women collaborated on what is now credited as the first book in the genre: Consider the Consequences! from 1930.

  Now, imagine that you would know what is the first book in a literary genre, like the first horror book, or the first romance. You would expect to find pages and pages written about it, you would think others have mentioned it in their works in the field and you would certainly trust to be able to find it somewhere to read. Well, Consider the Consequences! has almost disappeared. A book that probably has a dozen copies left in the world and is carefully (yet greedily) hoarded by a few libraries and collectors.

  Go on, search for it on the web, the place where everybody talks about everything. You will probably find it on Amazon, where it is unavailable, and on Goodreads, where you have one rating and one review. Perhaps you would find mentions of it on a site called Gamebooks, which only seems fair, on a blog called Renga in Blue and a long tweet from a James Ryan. Then there are some context mentions and that is it! The first ever instance of a book in an entire genre is about to go extinct!

  Now, I don't know if it was any good or not. That's kind of the point, I can't judge this work because I can't find it anywhere. If I had lived in the US or the UK maybe I could have read it in the library of some university, although that is just a possibility and not something that I would expect to be able to do. I don't even know if it is in the public domain or not. The U.S. legislation says conflicting things and something written in 1930 may perhaps become free of copyright in 2026.

  And the authors were the real deal: activists, suffragettes and all that. Perhaps I should complain that the patriarchy is trying to stifle the roots of feminine literature and then something would happen. It's astounding, really.

  The Mother Code is not a terrible book, but it is certainly not a good one. It has problems of structure, story and characters. But worst of all, it is really not about motherhood.

  Imagine a world where Uncle Sam "tests" a biological weapon somewhere in Afghanistan, only later realising that they have doomed the whole of humanity. Their solution is not to create self sustained habitats that eschew the issue, going to another planet, moving to Antarctica. Instead they focus on two avenues: finding a cure and creating a fleet of robots that can incubate, raise and protect children that have been genetically manipulated to resist the disease. Yes, because that is doable if you put (just) a team of people to work. It gets worse. The only mention of other countries is in about three or four paragraphs. They don't exist in the American mind, other than an afterthought, and indeed that's the political response of the government in the book, working in secret even knowing they are the cause and that other countries might help. And of course, all the children are American, as are the personalities of the "mothers".

  And really, you might accuse me for nitpicking here, I mean, I've read a lot of bad or naive stories over the years, why be so upset with this? But Carole Stivers decided to also show what happens in the future in parallel to the epidemic story, thus eliminating any thrill of what might happen. The core of any sci-fi story, the what-if, was halved in the moment she presented the end at the same time with the beginning. And later on, when there was another serious question about the future of humanity, the author again chooses to show her cards early and resolve the tension before it even started building.

  So what's left? A deep and interesting analysis of what it means to be a mother, explored through the eyes of the children raised by machines? No. That's just an afterthought, instead the focus being on a group of people that just... exist, with no real consequences to the story until the very end. I understand the dilemma of the editor: should they remove the superfluous writing, thus ending up with a short story, or should they leave it in in hope people would buy "a book" and thus pay for their salary.

  And the whole "mother code" thing is barely touched upon, which is so very sad, because the concept of a software developer trying to understand and code a nurturing mother is amazing! Yet that part takes just a few chapters and it doesn't really feel like what would happen to a software person.

  Bottom line: a really good idea, wasted on a subpar book that buries it under a lot of unnecessary story and forgettable characters.

  I always appreciate autobiographies for the glimpse they offer into another person's life. Double points for something that is well written and, if anything, A Promised Land is well written. Barack Obama's voice makes everything feel present and personal, which is the hallmark of a good biography. Yet one has to wonder how much of the story has been left out, how many personal failures have been explained away by a personality affected by the hubris of being the president, particularly given the several sections of the book where political figures were criticized for speaking out of turn or saying too much to the wrong people. So am I conflicted about this. I liked reading the book and I am glad to have had a taste of the experience of being a president, but I cannot take anything else at factual value.

  The book only covers the first four years of the presidential term, starting before the Democrat candidate elections and ending with bin Laden's death. It portrays Obama as an idealist, a reasonable man, one of those few people that need the world to make sense. He tells the story of him becoming a candidate almost like he got caught up in a current.

  He then tells stories about his Democrat colleagues and Republican adversaries, taking great care to talk as nice of them as possible. Notable exceptions are Sarah Palin, which Obama sees as the prototype Trump: an uneducated know-nothing who gained political capital not despite, but because of her ignorance, and Mitch McConnell, who is for all intents and purposes the Palpatine of the story. Trump is also mentioned at the end, deliberately almost like a footnote and depicted as a mindless buffoon.

  Reading the book from start, when the hero is a young idealist who believes in America and its political system, to end, when the hero is a battered soldier fighting economic collapse, terrorism, Republican lies and suicidal policies meant to counter him personally, felt painful. A good kind of pain, like the one (I assume :) ) one would get after a good workout, but pain nonetheless. It also started as a manifesto of hope and kind of ended in a bunch of apologetic explanations on why the good things that he did were not noticed by people and why the good things he did not do had good reasons for not getting done.

  I liked that Obama is a politician who hates the way politics work. I loved that he is a principled man as it is my personal belief that only well thought and agreed principles should guide important decisions, not personal feelings. I liked that the book did not focus on racism or social justice and the few passages about that were well argumented and put in context.

  I don't think being president helped him a lot, it sounded like it was one of those soul sucking jobs that people get into for money and prestige and the hope of achieving something, but that get them exhausted and lifeless at the end. Even for a positive and hopeful person, his book leaves a bitter taste of disappointment in how the world works.

My conclusion: it is a long book, 1700 ebook pages, and it only covers the first term of his presidency and a few years before as a politician. It is well written and I imagine the audio book, which is narrated by Obama himself, has an even stronger impact. I liked that he tried to present himself accurately, with strengths and weaknesses, qualities and flaws. I do believe, though, that the narrative of the book and especially they way he sees himself is a bit fantastic. Some of the chapters felt like rationalizations of past failures. There were valid reasons for that, but they were failures nonetheless and it felt like he refused to own responsibility for some of them. I recommend the book, but for someone not interested in politics, it may feel a bit boring.

  Update: more analysis shows that the change was not because of the OR clauses, but because of some debug OPTIONs that I had used. This post is thus wrong.

Original post:

  So I had this stored procedure that would calculate counts from a table, based on a specific column which was also indexed. Something like this:

SELECT Code, COUNT(*) as Nr 
FROM MyTable

  The code would take the result of this query and only use the counts for some of the codes, let's say 'A', 'B' and 'C'. There was also a large number of instructions that had a NULL Code. So the obvious optimizations was:

SELECT Code, COUNT(*) as Nr 
FROM MyTable
WHERE Code IN ('A','B','C')

  And it worked, however I was getting this annoying warning in the execution plan: "Operator used tempdb to spill data during execution". What the hell was that?

  Long story short, I found a very nice SO answer that explains it: SQL Server cardinality estimation can use two types of statistics to guess how many rows will get through a predicate filter:

  • about the column on average using the density vector
  • about particular values for that column using the histogram

When a literal is used, the cardinality estimator can search for that literal in the histogram. When a parameter is used, its value is not evaluated until after cardinality estimation, so the CE has to use column averages in the density vector.

  Probably, behind the scenes, ('A','B','C') is treated as a variable, so it only uses the density vector. Also, because how the IN operator is implemented, what happens to the query next is very different than replacing it with a bunch of ORs:

SELECT Code, COUNT(*) as Nr 
FROM MyTable
WHERE (Code='A' OR Code='B' OR Code='C')

  Not only the warning disappeared, but the execution time was greatly reduced!  

  You see, the query here is simplified a lot, but in real life it was part of a larger one, including complicated joins and multiple conditions. With an IN clause, the execution plan would only show me one query, containing multiple joins and covering all of the rows returned. By using OR clauses, the execution plan would show me three different queries, one for each code.

  This means that in certain situations, this strategy might not work, especially if the conditions are not disjunct and have rows that meet multiple ones. I am also astonished that for such a simple IN clause, the engine did not know to translate it automatically into a series of ORs! My intent as a developer is clear and the implementation should just take that and turn it into the most effective query possible.

  I usually tell people to avoid using OR clauses (and instead try to use ANDs) or query on values that are different (try for equality instead) or using NOT IN. And the reason is again the execution plan and how you cannot prove a general negative claim. Even so, I've always assumed that IN will work as a series or ORs. My reasoning was that, in case of an OR, the engine would have to do something like an expensive DISTINCT operation, something like this: 

FROM MyTable
WHERE (Code='A' OR Code='B')

-- the above should equate to
FROM MyTable
WHERE Code='A'
UNION -- not a disjunct union so engine would have to eliminate duplicates
FROM MyTable
WHERE Code='B'

-- therefore an optimal query is
FROM MyTable
WHERE Code='A'
UNION ALL - disjunct union
FROM MyTable
WHERE Code='B'
-- assuming that there are no rows that meet both conditions (code A and code B)

  In this case, however, SQL did manage to understand that the conditions were disjunct so it split the work into three, correctly using the index and each of them being quite efficient.

  I learned something today!

Just saying.

  Rhythm of War feels like a setup for something, like an interlude. Also, while it largely expands the scope of the story, it relies a lot of existing characters and their stories in previous books, without doing that smart thing Brandon Sanderson usually does to remind people what they were. I don't even know if it's possible with this large of a story. And remember, this is just the fourth in a ten book series!

  And so my reading of this book suffered from two things: I didn't quite remember what everything was about and the story just got too large! Meaning that I have to choose whether I care about individual characters and the sides they take or if I see everything as a big saga where people don't really matter. At this point, though, the choice is very difficult to make.

  To summarize, I loved the book, but not as much as I remember liking the previous three. The pace was slower, the implications grander, but also not reaching closure. A lot more characters, types of spren, gods, realms and bindings were revealed, but now I have to wait another two years to see what they were actually about. And Kaladin's pain now went into some weird directions, like battle schock and psychological help and accepting limitations in order to go forward. Was everyone depressed in 2020?! I thought Sanderson was immune to depression.

  Anyway, it seems to me that I will have to plan well the arrival of the fifth book in the series, probably by rereading the first four. Only then will the story click as it should and not make me feel like a stupid Taravangian.

  I was working on a grid display and I had to properly sort date columns. The value provided was not a datetime, but instead a string like "20 Jan 2017" or "01 Feb 2020". Obviously sorting them alphabetically would not be very useful. So what I did was implement a custom sorting function that first parsed the strings as dates, then compared them. Easy enough, particularly since the Date object in Javascript has a Parse function that understands this format.

  The problem came with a string with the value "01 Jan 0001" which appeared randomly among the existing values. I first thought it was an error being thrown somewhere, or that it would not parse this string or even that it would be an overflow. It was none of that. Instead, it was about handling the year part.

  A little context first:

Date.parse('01 Jan 0001') //978300000000
new Date(0) //Thu Jan 01 1970 00:00:00

Date.parse('01 Jan 1950') //-631159200000
new Date(Date.parse('01 Jan 1950')) //Sun Jan 01 1950 00:00:00

Date.parse('31 Dec 49 23:59:59.999') //2524600799999
Date.parse('1 Jan 50 00:00:00.000') //-631159200000

new Date(Date.parse('01 Jan 0001')) //Mon Jan 01 2001 00:00:00

  The first two lines almost had me convinced Javascript does not handle dates lower than 1970. The next two lines disproved that and made me think it was a case of numerical overflow. The next two demonstrated it was not so. Now look closely at the last line. What? 2001?

  The problem was with the handling of years that are numerically smaller than 50. The parser assumes we used a two digit year and translates it into Date.parse('01 Jan 01') which would be 2001. We get a glimpse into how it works, too, because everything between 50 and 99 would be translated into 19xx and everything between 00 and 49 is considered 20xx.

  Note that .NET does not have this problem, correctly making the difference between a 2 digit and 4 digit year.

  Hope it helps people.


  Discord is something I have only vaguely heard about and when a friend told me he used it for chat with friends, I installed it, too. I was pleasantly surprised to see it is a very usable and free chat application, which combines feature of IRC, other messenger applications and a bit of Slack. You can create servers and add channels to them, for example, where you can determine the rights of people and so on. What sets Discord apart from anything, perhaps other than Slack, is the level of "integration", the ability to programatically interact with it. So I create a "bot", a program which stays active and responds to user chat messages and can take action. This post is about how to do that.

  Before you implement a bot you obviously need:

  All of this has been done to death and you can follow the links above to learn how to do it. Before we continue, a little something that might not be obvious: you can edit a Discord chat invite so that it never expires, as it is the one on this blog now.

Writing code

One can write a bot in a multitude of programming languages, but I am a .NET dev, so Discord.NET it is. Note that this is an "unofficial" library, so it may not (and it is not) completely in sync with all the options that the Discord API provides. One such feature, for example, is multiple attachments to a message. But I digress.

Since my blog is also written in ASP.NET Core, it made sense to add the bot code to that. Also, in order to make it all clean code, I will use dependency injection as much as possible and use the built-in system for commands, even if it is quite rudimentary.

Step 1 - making dependencies available

We are going to need these dependencies:

  • DiscordSocketClient - the client to connect to Discord
  • CommandService - the service managing commands
  • BotSettings - a class used to hold settings and configuration
  • BotService - the bot itself, which we are going to make implement IHostedService so we can add it as a hosted service in ASP.Net

In order to keep things separated, I will not add all of this in Startup, instead encapsulating them into a Bootstrap class:

public static class Bootstrap
    public static IWebHostBuilder UseDiscordBot(this IWebHostBuilder builder)
        return builder.ConfigureServices(services =>

This allows me to add the bot simply in CreateWebHostBuilder as: 

   .UseKestrel(a => a.AddServerHeader = false)

Step 2 - the settings

The BotSettings class will be used not only to hold information, but also communicate it between classes. Each Discord chat bot needs an access token to connect and we can add that as a configuration value in appsettings.config:

  "DiscordBot": {
	"Token":"<the token value>"
public class BotSettings
    public BotSettings(IConfiguration config, IHostingEnvironment hostingEnvironment)
        Token = config.GetValue<string>("DiscordBot:Token");
        RootPath = hostingEnvironment.WebRootPath;
        BotEnabled = true;

    public string Token { get; }
    public string RootPath { get; }
    public bool BotEnabled { get; set; }

As you can see, no fancy class for getting the config, nor do we use IOptions or anything like that. We only need to get the token value once, let's keep it simple. I've added the RootPath because you might want to use it to access files on the local file system. The other property is a setting for enabling or disabling the functionality of the bot.

Step 3 - the bot skeleton

Here is the skeleton for a bot. It doesn't change much outside the MessageReceived and CommandReceived code.

public class BotService : IHostedService, IDisposable
    private readonly DiscordSocketClient _client;
    private readonly CommandService _commandService;
    private readonly IServiceProvider _services;
    private readonly BotSettings _settings;

    public BotService(DiscordSocketClient client,
        CommandService commandService,
        IServiceProvider services,
        BotSettings settings)
        _client = client;
        _commandService = commandService;
        _services = services;
        _settings = settings;

    // The hosted service has started
    public async Task StartAsync(CancellationToken cancellationToken)
        _client.Ready += Ready;
        _client.MessageReceived += MessageReceived;
        _commandService.CommandExecuted += CommandExecuted;
        _client.Log += Log;
        _commandService.Log += Log;
        // look for classes implementing ModuleBase to load commands from
        await _commandService.AddModulesAsync(Assembly.GetEntryAssembly(), _services);
        // log in to Discord, using the provided token
        await _client.LoginAsync(TokenType.Bot, _settings.Token);
        // start bot
        await _client.StartAsync();

    // logging
    private async Task Log(LogMessage arg)
        // do some logging

    // bot has connected and it's ready to work
    private async Task Ready()
        // some random stuff you can do once the bot is online: 

        // set status to online
        await _client.SetStatusAsync(UserStatus.Online);
        // Discord started as a game chat service, so it has the option to show what games you are playing
        // Here the bot will display "Playing dead" while listening
        await _client.SetGameAsync("dead", "", ActivityType.Listening);
    private async Task MessageReceived(SocketMessage msg)
        // message retrieved
    private async Task CommandExecuted(Optional<CommandInfo> command, ICommandContext context, IResult result)
        // a command execution was attempted

    // the hosted service is stopping
    public async Task StopAsync(CancellationToken cancellationToken)
        await _client.SetGameAsync(null);
        await _client.SetStatusAsync(UserStatus.Offline);
        await _client.StopAsync();
        _client.Log -= Log;
        _client.Ready -= Ready;
        _client.MessageReceived -= MessageReceived;
        _commandService.Log -= Log;
        _commandService.CommandExecuted -= CommandExecuted;

    public void Dispose()

Step 4 - adding commands

In order to add commands to the bot, you must do the following:

  • create a class to inherit from ModuleBase
  • add public methods that are decorated with the CommandAttribute
  • don't forget to call commandService.AddModuleAsync like above

Here is an example of an enable/disable command class:

public class BotCommands:ModuleBase
    private readonly BotSettings _settings;

    public BotCommands(BotSettings settings)
        _settings = settings;

    public async Task Bot([Remainder]string rest)
        if (string.Equals(rest, "enable",StringComparison.OrdinalIgnoreCase))
            _settings.BotEnabled = true;
        if (string.Equals(rest, "disable", StringComparison.OrdinalIgnoreCase))
            _settings.BotEnabled = false;
        await this.Context.Channel.SendMessageAsync("Bot is "
            + (_settings.BotEnabled ? "enabled" : "disabled"));

When the bot command will be issued, then the state of the bot will be sent as a message to the chat. If the parameter of the command is enable or disable, the state will also be changed accordingly.

Yet, in order for this command to work, we need to add code to the bot MessageReceived method: 

private async Task MessageReceived(SocketMessage msg)
    // do not process bot messages or system messages
    if (msg.Author.IsBot || msg.Source != MessageSource.User) return;
    // only process this type of message
    var message = msg as SocketUserMessage;
    if (message == null) return;
    // match the message if it starts with R2D2
    var match = Regex.Match(message.Content, @"^\s*R2D2\s+", RegexOptions.IgnoreCase);
    int? pos = null;
    if (match.Success)
        // this is an R2D2 command, everything after the match is the command text
        pos = match.Length;
    else if (message.Channel is IPrivateChannel)
        // this is a command sent directly to the private channel of the bot, 
        // don't expect to start with R2D2 at all, just execute it
        pos = 0;
    if (pos.HasValue)
        // this is a command, execute it
        var context = new SocketCommandContext(_client, message);
        await _commandService.ExecuteAsync(context, message.Content.Substring(pos.Value), _services);
        // processing of messages that are not commands
        if (_settings.BotEnabled)
            // if the bot is enabled and people are talking about it, show an image and say "beep beep"
            if (message.Content.Contains("R2D2",StringComparison.OrdinalIgnoreCase))
                await message.Channel.SendFileAsync(_settings.RootPath + "/img/R2D2.gif", "Beep beep!", true);

This code will forward commands to the command service if message starts with R2D2, else, if bot is enabled, will send replies with the R2D2 picture and saying beep beep to messages that contain R2D2.

Step 5 - handling command results

Command execution may end in one of three states:

  • command is not recognized
  • command has failed
  • command has succeeded

Here is a CommandExecuted event handler that takes these into account:

private async Task CommandExecuted(Optional<CommandInfo> command, ICommandContext context, IResult result)
    // if a command isn't found
    if (!command.IsSpecified)
        await context.Message.AddReactionAsync(new Emoji("🤨")); // eyebrow raised emoji

    // log failure to the console 
    if (!result.IsSuccess)
        await Log(new LogMessage(LogSeverity.Error, nameof(CommandExecuted), $"Error: {result.ErrorReason}"));
    // react to message
    await context.Message.AddReactionAsync(new Emoji("🤖")); // robot emoji

Note that the command info object does not expose a result value, other than success and failure.


This post has shown you how to create a Discord chat bot in .NET and add it to an ASP.Net Core web site as a hosted service. You may see the result by joining this blog's chat and giving commands to Tyr, the chat's bot:

  • play
  • fart
  • use metric or imperial units in messages
  • use Yahoo Messenger emoticons in messages
  • whatever else I will add in it when I get in the mood :)

  Winter Tide, the first book of the series, was a refreshing blend of Lovecraftian Mythos and a perspective focused on balance and peace, rather than power problem solving. So, a year and a half ago, while I said I enjoyed reading it, I was also saying that it was a bit slow in the beginning.

  Deep Roots has a few things going against it. The novelty wore off, for once. Then the characters are not reintroduced to the reader, there are no flashbacks or summaries, so I had no idea who everyone was anymore. Finally, it had almost the same structure as the first book, but without introducing new lore elements and instead just popping up new characters, as if keeping track of existing ones wasn't enough work. It starts slow and the pace only picks up towards the end. This made it hard for me to finish the book and maintain interest in the story.

 This time, Aphra and her motley crew need to stop the Outer Ones, ancient creatures with immense power, from saving humanity from extinction. Yes, it is a worthy goal, but they want to do it by enslaving and controlling Earth, treating us like the impetuous children that we are. With such a cosmic threat I would have expected cosmic scenes, powerful emotions, explosive outcomes, but it was all very civilized and ultimately boring.

  Bottom line: Ruthanna Emrys' fresh perspective persists in this second installment of the Innsmouth Legacy series, but it isn't fresh anymore. I am sure the experience is much better if you read Winter Tide just before it. As it stands, Deep Roots reads like a slightly boring detective story with some mystical elements sprayed in. I don't regret reading it, but I don't feel the need for more.

  Just wanted to give you a heads up that Siderite's blog now has a Discord server and you can easily talk to me and other blog viewers that connected there by clicking on the Discord icon on top of the search box. I just heard of this Discord app and it seems to permit this free chat server and invite link. Let me know if anything goes wrong with it.

  Try it! 

  One can take a container in which there is water and keep pouring oil in and after a time there will be more oil than water. That's because oil is hydrophobic, it "fears water" in a direct translation of the word. You can then say that the percentage of oil is higher than the percentage of water, that there is more oil in the container. Skin color in a population doesn't work like that, no matter how phobic some people are. Instead of water and oil, it's more like paint. One can take a container in which there is white paint and keep pouring black, red, yellow and brown paint in, but from a very early stage, that paint is no longer white.

  I keep finding these statistics about which part of the world is going to have Whites in a minority after a while. Any statistic counting people by color of skin is purist in nature and, as we should know by now, the quest for purity begets violence. The numbers are irrelevant if the basis of these statistics is conceptually wrong. In a true openly diverse population, white skin color should disappear really quick. The only chance for it to exist is if people with white skin would not mingle with people of any other color.

  What is a White person? Someone who has white skin? Someone who has European ancestry? Someone who has no ancestry that is not European? Are Jews white? How about coptic Egyptians? Some Asians are really white, too. There is no argument that uses the concept of White which is not directly dependant on the idea of racial purity. And then there is Non-White. A few days ago someone was noting that it feels weird to use the term Latino, considering how many different countries and interests are represented by the people labeled as such. So how can anyone meaningfully use a term like Non-White, which groups together Black people, Mexicans, Chinese, Indians, Eskimos and Native-Americans, among many others? Two "African-American" people of identical skin color may be as different as someone can imagine: one a many generations American with slave ancestors, the other a middle-class African recently arrived in the US.

  What I am saying is that the most politically correct terms, used (and imposed) by proponents (and arbiters) of racial justice and equality, are as purist as they could be. The only argument that one can possibly bring here is that purism is somehow different and distinct from racism. This is absurd. One can be a purist and not be racist, but not the other way around. In fact, when people are trying to limit your freedom of expression because some of your words or concepts may be offensive, they are in fact fighting for the purity of ideas, one that is not marred by a specific idea of purity that they are against. These are similar patterns, so similar in fact that I can barely see a difference. No wonder this kind of thinking has taken root most in a country where a part of its founders were called Puritans!

  So how about we change the rhetoric to something that does not imply segregation or a quest for purity or a war on something or cancelling other people or creating safe spaces or hating something that is other? And the phrase above is not ironic, since I am not proposing we fight against this kind of ideas, only that we acknowledge their roots and that we come up with new ones. Let us just grow in different directions, rather than apart.

   This is one of those books that when summarized sounds a lot better than the actual story. In The Sorcerer of the Wildeeps, we discover a brutal medieval and magical world, where magic is related to people from the stars who are considered gods, but may just be very technologically advanced humans. Yet this is just a vague backdrop for a two hundred and something pages novel. The main focus is on a guy who alternates between a very rough vernacular Black English and technobabble which one else seems to understand, who has magical powers and is part of a gang of fighters that work as security for caravans. He is a demigod, the blood of the star people courses through his veins, but he hides that part of him from the world. He is also in love with another guy who has the blood and much of the text concerns this gay relationship, which he also hides from the world. There are also some brutal fight scenes, but they don't bring anything to the story other than to make it a fantasy.

  I saw other people just as confused as I am. Maybe there was some subtlety that I missed and that is why so many people praise this first novel of Kai Ashante Wilson, a guy who started writing in 2013. Why are the reviews so wonderful? To me it felt like an above average pulp story, akin to those about cowboys riding dinosaurs. The writing style is also difficult enough to make the book less entertaining that it could have been. It's like Wilson rubs our noses into some intellectual shit that I can't even smell. Or is it that is it just another mediocre book that gets positive political reviews because it promotes Black culture and features gay people?

  So my conclusion is that I did not enjoy the book. It took me ages to finish it and I couldn't relate to any of the characters. I thought the world was very interesting though, which makes this even more frustrating, since it was barely explored.

  It has been a long time since I've finished a book. I just didn't feel like it, instead focusing on stupid things like the news. It's like global neurosis: people glued to their TV screens listening to what is essentially the same thing: "we have no control, we don't know enough and we feel better bitching about it instead of doing anything to change it". I hope that I will be able to change my behavior and instead focus on what really matters: complete fiction! :)

  Anyway, Unfettered is a very nice concept thought up by Shawn Speakman: a contribution based anthology book. Writers provide short stories, complete with a short introduction, as charity. The original Unfettered book was a way by which writers helped Speakman cover some of his medical expenses after a cancer diagnosis and the idea continued, helping others with the same problem. This way of doing things, I believe, promotes a more liberating way of writing. There is no publisher pressure, no common theme, writers are just exploring their own worlds, trying things out.

  Unfettered III contains 28 shorts stories from authors like Brandon Sanderson, Lev Grossman, Mark Lawrence, Terry Brooks, Brian Herbert, Scott Sigler and more. Funny enough, it was Sanderson's own addition to the Wheel of Time literature that I found most tedious to finish, mostly because I couldn't remember what the books were about anymore and who all the characters were. But the stories were good and, even if the book is twice as large as I think it should have been, it was entertaining. Try it out, you might enjoy this format.